Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of red and black chalk, with touches of white chalk, on cream laid paper.

Nude Old Man Seated, Leaning on His Forearm, Facing Left, c. 1640

Jacob Jordaens

A work made of red chalk, with touches of graphite, on tan laid paper.

Sadness, after 1698

Eduardus Jacobus

A work made of pastel and ballpoint pen on cream wove paper.

My Hart, 1953

Yayoi Kusama

A work made of oil on linen.

The Big Red Ball, 1965

Ellen Lanyon

A work made of nylon-wrapped-metallized-polyester film and wool, plain weave; open work.

Red Doors, 1990

Robert D. Sailors

A work made of acrylic, pastel, pencil, and collage on paper.

White Anger, Red Danger, Yellow Peril, Black Death, 1984

Bruce Nauman

A work made of color lithograph on white wove paper.

The Red Knight, 1953

Marino Marini

A work made of monotype on white wove paper.

One Monotype in Red Suzuki, 1989

Christopher Wool

A work made of brush and kremer inks on ivory wove watercolor paper, prepared with a pale green wash.

2 Red Rocks 3, 2000/02

Brice Marden

A work made of black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper.

Study of a Triton, 1748/53

François Boucher

A work made of earthenware and pigment.

Bottle with Underwater Serpents, 1300–1500

Mississippian

A work made of red chalk on buff laid paper, laid down on white laid paper.

Allegory of Spring, or the Young Gardeners, n.d.

Jean Antoine Watteau

A work made of etching and engraving printed on two sheets as follows: oval portrait in wash manner on full sheet in yellow, blue, red, and black from four plates; decorative frame cut out in center, in blue and orange from two plates.

Marie Antoinette, 1777

Jean François Janinet

A work made of acrylic on canvas.

His and Hers, 1971

Ray Yoshida

A work made of oil on canvas.

Landscape, 1917

Heinrich Campendonk

A work made of charcoal and two types of red chalk, with touches of graphite, on tan wove paper.

The Embankment, 1930–39

Francis Dodd

A work made of lithograph in black on grayish ivory laid china paper.

Odalisque in Red Satin Pantaloons, 1925

Henri Matisse

Two figures, one red, one yellow, lying under white sheets with limbs sticking out.

Couple in Bed, 1977

Philip Guston

Serene abstract work featuring overlapping shapes on a neutral background. Some shapes are outlined and filled in with dots of the same color. At top left, a circle radiating purple dots contains an almond-shaped eye. Near bottom right is a small bright-red circle with a tiny arrow beside it.

Sunset, 1930

Paul Klee

A work made of silver dye-bleach print.

Kim and Mark in the Red Car, Newton, MA, 1987

Nan Goldin

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