Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

New York, 1950

Aaron Siskind

A work made of gelatin silver print.

Jack Walls, 1982

Robert Mapplethorpe

A work made of photomontage.

Beauty Rest, from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

The Valley of the Shadow of Death, 1855

Roger Fenton

A work made of chromogenic print.

April Reflection, 1953

Howard Dearstyne

A work made of twelve unbound reproductions of photographs in a double wrapper of blue printed with the title, and black with a window cut to frame the title; accompanied by a mounted gelatin silver print on loose cardstock with a handwritten dedication.

La photographie n'est pas l'art: 12 photographies, Paris: G. L. M., 1937

Man Ray (Emmanuel Radnitzky)

A work made of inkjet print.

Green, Chicago River, from the series “Revealing Chicago” (2003-04), March 13, 2004

Terry Evans

A work made of albumen prints in two bound albums.

Geographical & Geological Explorations & Surveys West of the 100th Meridian, 1871/73

Timothy O'Sullivan

A photograph of an empty parking lot at night. A mangled tree leans on the rear of a white semi-truck, which is illuminated by a tall street light. The sky is dark blue; debris is scatted on the ground of the parking lot; houses and cars are visibly in the background.

for everyone a garden VII, from the series "for everyone a garden", 2013

David Hartt

A work made of albumen print.

Ancient Ruins in the Cañon de Chelle, N.M. In a niche 50 feet above present Cañon bed., 1873

Timothy O'Sullivan

A work made of chromogenic print.

The former Bryant's Grocery, Money, Mississippi, from the series "On This Site: Landscape in Memoriam", June 1994

Joel Sternfeld

A work made of daguerreotype.

Untitled, c. 1850

Unknown

A work made of gelatin silver print.

Two Apaches in Paris, c. 1932

Brassaï, (Gyula Halász)

A colorful collage of individual magazine photos of Vietnamese citizens and American soldiers. A woman holds a white flag, another woman holds a blanket, a nude woman folds her hands over her vagina, and a man points directly at the viewer. Two soldiers hold guns, one with his back to the viewer, the other in silhouette. On the right, children look curiously to the viewer's left.

Playboy (On View), from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

Red and black colored photograph of an African American man with several scars on his back, the title etched in glass on top of the image.

Black and Tanned Your Whipped Wind of Change Howled Low Blowing Itself - Ha - Smack into the Middle of Duke Ellington's Orchestra Billie Heard It Too & Cried Strange Fruit Tears, 1995

Carrie Mae Weems

A work made of nine gelatin silver prints, with chalk.

Estimations, 1970/87

Vito Acconci

A light-skinned woman, Pat Nixon, in an ornate room with dandelion-colored walls. Her skirt matches the wall color. She stands in front of the fireplace, smiling at the camera. Above the fireplace is a large black-and-white photo of a young woman curled in pain.

First Lady (Pat Nixon), from series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of silver dye-bleach print.

Medusa Marinara, 1997

Vik Muniz

Color photograph of a bllond woman on a wooden chair surrounded by photography equipment, a wig form on a stand behind her.

Untitled, 1983

Cindy Sherman

Black-and-white photograph of two iconic skyscrapers in New York City, the Chrysler Building and the Daily News Building. The angles of the building intersect and light and shadow play off the windows of a building in the foreground.

Contrasting No. 331 East 39th Street with Chrysler Building and Daily News Building, Manhattan, November 9, 1938

Berenice Abbott

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