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A work made of gelatin silver print.

Salvador Dali, 1944

Johan Hagemeyer

A work made of platinum-palladium print.

Chimney Sweep (B), London, 1950, printed 1967

Irving Penn

A work made of gelatin silver print.

Hannes Schroll, Yosemite Valley, California, c. 1935

Ansel Adams

A work made of gelatin silver print.

Negative Cat, c. 1926

László Moholy-Nagy

A work made of gelatin silver print.

Campden Hill, London, 1977

Bill Brandt

A work made of gelatin silver print.

Leon Golding, Artist, 1955

Johan Hagemeyer

A work made of gelatin silver prints mounted on board.

Sixteen Isomorphs (Negative), 1967

Mel Bochner

A work made of gelatin silver print.

Still Life in Stanley Mitruk's Studio, 1951/55

Harold Allen

A work made of gelatin silver print.

Bougival, near Paris, 1956, printed 1957

Henri Cartier-Bresson

A work made of chromogenic print.

Central Park, North of the Obelisk, Behind the Metropolitan Museum of Art, New York, from the series "On This Site: Landscape in Memoriam", May 1993

Joel Sternfeld

A work made of gelatin silver print.

Lighthouse and Wood, Multiple Image, 1968

Minor White

A work made of gelatin silver print.

Georgia, Untitled (Black Spot), 1996

Sally Mann

A work made of gelatin silver print.

Untitled, 1900/30

Agustín Víctor Casasola

A work made of gelatin silver print.

Alfred Stieglitz and Georgia O'Keeffe, New York City, 1944

Arnold Newman

A work made of gelatin silver print.

City View (North to Telegraph Hill?) San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of gelatin silver print.

Forest, Winter, Yosemite Valley, 1922/52

Ansel Adams

A work made of gelatin silver print.

Louis Jouvet (A), New York, January 1951, printed c. 1951

Irving Penn

A work made of gelatin silver print.

Katsura: The Night Rain Lantern, 1955/60

Yasuhiro Ishimoto

A work made of gelatin silver print.

From My Window at An American Place, North, 1931

Alfred Stieglitz

A work made of platinum-palladium print.

New York Still Life, 1947, printed August/September 1978

Irving Penn

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