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A work made of gelatin silver print.

Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina, 1908

Lewis Wickes Hine

A work made of gelatin silver print.

Chez Mondrian, 1926

André Kertész

A work made of chromogenic print.

Abstraction on Concrete, 1940/62

Howard Dearstyne

A work made of gelatin silver print.

Lisa Lyon, Joshua Tree, 1980

Robert Mapplethorpe

A work made of gelatin silver print.

F.C. Nelson, Commissioner; Cecil Faris, Mayor; and H.W. Coleman, Commissioner, Town Hall, Tomball, Texas, May 1945

Esther Bubley

A work made of paper wrapping for half-tone relief stereographs (15), with accompanying stereograph viewing glasses.

Untitled (Stereo Photographs), 1973

Charles Swedlund

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Garden, 1879/80

James McNeill Whistler

A work made of engraving on laid paper.

Bacchanal with Silenus, 1475/80

Andrea Mantegna

A work made of 47 albumen silver prints.

Photographs of Views of Rome, c. 1857

Robert MacPherson

A work made of gelatin silver print.

Nude No. 158, New York, 1949/50, printed 1949/50

Irving Penn

A work made of fifteen silver gelatin prints.

Pitheads–Perspective Views, 1981

Bernd and Hilla Becher

A work made of gelatin silver print.

Italian Family, Chicago, 1910

Lewis Wickes Hine

A work made of gelatin silver print.

Henri Cartier-Bresson, 1935, printed 1959

George Platt Lynes

A work made of chromogenic print.

Untitled [Broken Glass], 1940/62

Howard Dearstyne

A work made of etching and aquatint in black on cream wove paper.

Actresses in Their Dressing Rooms, 1879–80

Hilaire Germain Edgar Degas

A work made of gelatin silver print.

Southam Street, North Kensington, IH 22, c. mid 1950s

Roger Mayne

A work made of etching and drypoint on ivory wove paper.

Charles Francois Mallet, c. 1809

Angelo Boucheron

A work made of chromogenic print.

Untitled [Pebbles on Sand], 1940/62

Howard Dearstyne

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Underfoot XXX, New York, August/September 2000, printed November 21, 2000

Irving Penn

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