Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of gelatin silver print.

Rebecca Salsbury Strand, 1922

Alfred Stieglitz

A work made of dye imbibition print.

Frozen Foods with String Beans, New York, 1977, printed 1993

Irving Penn

A work made of gelatin silver print.

Dovima with Elephants, Evening Dress by Dior, Cirque d'Hiver, Paris, August 1955, printed 1979

Richard Avedon

A work made of gelatin silver print.

Little Girl Holding Cup, 1931/56

David Seymour

A work made of gelatin silver print.

Nude Bent Forward, Paris, c. 1930

Lee Miller

A work made of etching, aquatint and drypoint on ivory loose chine.

Dancers in the Wings, 1879–80

Hilaire Germain Edgar Degas

A work made of gelatin silver print.

The Flatiron, 1903, printed 1920/39

Alfred Stieglitz

Black-and-white photograph of four brown-skinned figures. A woman in a white wedding dress and veil is seated in the center, holding a bouquet of flowers. She is flanked by two standing men wearing tuxedos, and one standing woman who wears an elaborate dress and holding flowers. The painted backdrop is a faux classical scene, with an arch and a fake window.

Wedding Party of Four, 1927

James VanDerZee

Artichoke, Halved, 1930, printed 1953/54

Edward Weston

A work made of gelatin silver print.

"Hot Coffee," Mojave Desert, 1937, printed 1953/54

Edward Weston

A work made of 148 gelatin silver prints and text panel.

CARVING: A Traditional Sculpture, 1972

Eleanor Antin

A work made of gelatin silver print.

Portrait of Rosette Loewenstein, 1922/59

Ansel Adams

A work made of gelatin silver print.

Nude No. 100, New York, 1949/50, printed 1949/50

Irving Penn

A work made of steel, fruitwood, staghorn, and mother-of-pearl.

Combined Axe-Flintlock Gun-Dagger, 1660/80

Black-and-white photograph of a seated black man who is receiving medical care from two other individuals. The man has an anguished expression, with his mouth open in pain, and he wears a button-up shirt that is spattered with blood. The brown-skinned person on the man's right, whose back is to the camera, tends to the man's right eye. On the left a white-skinned person reaches into the frame, and holds the man's head steady.

Battered Man, 1948

Gordon Parks

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale, c. 1775/80

Thomas Rowlandson

A work made of gelatin silver print.

Nude No. 57, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gum bichromate print.

Self-Portrait with Brush and Palette, 1902

Edward Steichen

A work made of platinum-palladium print.

Leggy Nude, New York, 1993, printed March/May 1994

Irving Penn

A work made of gelatin silver print.

Rose and Driftwood, San Francisco, California, c. 1932

Ansel Adams

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