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A work made of dye imbibition print.

Cottage Tulip: Sorbet, New York, 1967, printed 1986

Irving Penn

A work made of platinum-palladium print.

Sitting Nude Rear, New York, 1993, printed June 1994

Irving Penn

A work made of gelatin silver print.

Last Light, from the series "Immediate Family", 1990

Sally Mann

A work made of etching in black ink on ivory wove paper.

The Garrotted Man, 1778–80

Francisco José de Goya y Lucientes

A photocollage of the top of a multistoried building with a cantilevered roof—extending horizontally and supported at only one end—and a patio below, surrounded by trees and water.

McCormick Place: Perspective View Looking toward Lake, c. 1969

C. F. Murphy Associates

A work made of gelatin silver print.

"...the youngest had a red rose in his mouth" (Samuel), 1968/69

Jan Saudek

A work made of gelatin silver print.

New Year's Eve, 1989/90

Abelardo Morell

A work made of gelatin silver print.

Dannie Mercurio, 150 Schottes Alley, Washington D.C., April 1912

Lewis Wickes Hine

A work made of gelatin silver print.

Priests of the Modern Neiji Temple, 1951

Werner Bischof

A work made of gelatin silver print.

Chicago, 1947, printed 1950/59

Henri Cartier-Bresson

A work made of gelatin silver print.

Issey Miyake Fashion: Face Covered with Hair (A), New York, May 1991, printed 1994

Irving Penn

A work made of albumen print, stereo.

Stereo Kodak, Late 19th century

London Stereoscopic and Photographic Company

A work made of gelatin silver print.

Anita [Nude Back], 1925, printed 1953/54

Edward Weston

A work made of albumen print.

Margaret Frances Langton Clarke, 1864, printed c. 1866

Lewis Carroll

A work made of etching, aquatint and drypoint on ivory loose chine.

Dancers in the Wings, 1879–80

Hilaire Germain Edgar Degas

A work made of photographic reproduction (poster).

Who Was Smedley Butler?, 1985

Esther Parada

A work made of gelatin silver print.

Untitled, from the series "Katsura", c. 1960

Yasuhiro Ishimoto

Black-and-white photograph of four brown-skinned figures. A woman in a white wedding dress and veil is seated in the center, holding a bouquet of flowers. She is flanked by two standing men wearing tuxedos, and one standing woman who wears an elaborate dress and holding flowers. The painted backdrop is a faux classical scene, with an arch and a fake window.

Wedding Party of Four, 1927

James VanDerZee

A work made of gelatin silver print.

Negro Barber Shop Interior, Atlanta, 1936, printed c. 1962

Walker Evans

A work made of steel, fruitwood, staghorn, and mother-of-pearl.

Combined Axe-Flintlock Gun-Dagger, 1660/80

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