Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of chromogenic print.

Untitled #93, 1981

Cindy Sherman

A work made of gelatin silver print.

Triumph, 1976

Peter Hujar

A work made of gelatin silver print.

Cooking on the street, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of thinly albumenized print.

Captain Verschoyle, Grenadier Guards (an Early Photographer), Taken at the Crimea, 1855

Roger Fenton

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1973

Mikki Ferrill

A work made of gelatin silver print.

Strikers at Seabrook Farms, Bridgeton, New Jersey (With a Stone in One Hand...), July 9, 1934

Unknown

A work made of gelatin silver print.

Paper Doors, c. 1951

Werner Bischof

Photograph of a woman with short blond hair wearing orange, sprawled on a linoleum floor, holding a torn piece of newsprint.

Untitled #96, 1981

Cindy Sherman

A work made of dye imbibition print.

Ithaca-Policeman in Front of Fruit Stand, January 3, 1949

Arnold Newman

Photograph of Painting: Female Bather Wading Through a Brook

Photograph of Painting: Female Bather Wading Through a Brook, after 1889

Paul Gauguin

A work made of gelatin silver print.

Sifnos, 1956

Dimitrios Harissiadis

A work made of gelatin silver print.

Untitled, 1963

Enrico Sarsini

A work made of wool and silk, slit and double interlocking tapestry weave.

The Bird Catcher, from The Noble Pastoral, 1778/80

François Boucher

Large tan woven basket with dark brown triangles.

Burden Basket, 1870–80

Pomo

A work made of chromogenic print.

April Reflection, 1953

Howard Dearstyne

A work made of hand-colored stencil print on crumpled paper; edition 6/80.

The Last Supper, 1977

Sadao Watanabe

A work made of gelatin silver print.

The Hand of Miles Davis, New York, 1986, printed 1992

Irving Penn

A work made of gelatin silver print.

The Quick and the Dead, 1950-55

Ed Van Der Elsken

A work made of etching and burnishing on ivory wove paper with gilt edges.

Will She Rise Again?, plate 80 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching, soft ground etching, aquatint, and drypoint on grayish-ivory wove paper.

Mary Cassatt in the Paintings Gallery at the Louvre, 1879–80

Hilaire Germain Edgar Degas

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