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A work made of gelatin silver print.

Nude No. 99, New York, 1949/50, printed 1949/50

Irving Penn

A work made of gelatin silver print.

Negro Alley Housing Whites, Washington, D.C., 1909

Lewis Wickes Hine

A work made of gelatin silver print.

Intrigue, c. 1935

James VanDerZee

A work made of gelatin silver print.

Tina [nude on the azotea], 1923, printed 1953/54

Edward Weston

A work made of gelatin silver print, from "the americans" (1955/56).

Political Rally, Chicago, 1956

Robert Frank

A work made of gelatin silver print.

A Child's Grave, Hale County, Alabama, 1936

Walker Evans

A work made of gelatin silver print.

Salerno, Italy, 1933

Henri Cartier-Bresson

A work made of gelatin silver print.

Bijou at the Bar de la Lune, Montmartre, 1932

Brassaï, (Gyula Halász)

A work made of gelatin silver print, no. 8 from "portfolio three: yosemite valley" (1959).

Water and Foam, c. 1955, printed 1959

Ansel Adams

A work made of gelatin silver print.

Aspens, Dawn, Dolores River Canyon, Autumn, Colorado, 1937, printed c. 1980

Ansel Adams

A work made of gelatin silver print.

Jean Arp, New York City, 1949

Arnold Newman

A work made of gelatin silver print.

Foam Pattern, 1940s

Gordon C. Abbott

A work made of gelatin silver print.

Oliver Smith, Jane Bowles & Paul Bowles, New York, May 23, 1947, printed c. 1947

Irving Penn

A work made of gelatin silver print.

42,000 feet over Kansas, 1951

Margaret Bourke-White

A work made of photomontage.

Cleaning the Drapes, from the series House Beautiful: Bringing the War Home, 1967–72

Martha Rosler

A work made of chromogenic print.

6th between Market and Chestnut, 1977, printed 1980

Joel Meyerowitz

A work made of gelatin silver print.

Birmingham, from the series "Time of Change", 1963

Bruce Davidson

A work made of platinum-palladium print.

Man Lighting Girl's Cigarette (Jean Patchett), New York, 1949, printed May 1977

Irving Penn

Black-and-white photograph of an empty cobblestone alley, with small trash piles and an overturned bucket in the foreground.

Charles Lane, Between West and Washington Streets, September 20, 1938

Berenice Abbott

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

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