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A work made of pen and black ink on ivory wove paper, partially discolored to cream.

Female Nude, n.d.

André Derain

A work made of gelatin silver print, from "perspective of nudes".

East Sussex Coast, 1957

Bill Brandt

A work made of gelatin silver print.

Untitled (Nude: Kate Steichen), c. 1935

Edward Steichen

A work made of etching on white wove paper.

Nude in Profile, 1955

Alberto Giacometti

A work made of palladium print, no.1 from the portfolio "diez desnudos (ten nudes)" (1981).

Sin Título (Without Title), 1978

Manuel Alvarez-Bravo

A work made of red chalk, heightened with traces of white chalk, on buff laid paper.

Standing Male Nude, 1637/38

Cecco Bravo

A work made of oil on canvas.

Sketch for "Oath on the Rütli" (recto), Female Figure (verso), 1779–81 (recto); 1785–90 (verso)

Henry Fuseli

A work made of palladium print, no. 5 from the portfolio "diez desnudos (ten nudes)" (1981).

Xipetotec, 1979

Manuel Alvarez-Bravo

A work made of graphite, with smudging and erasing, on buff wove paper.

Seated Female Nude, 1960

Larry Rivers

A work made of terracotta.

Pietà, c. 1686

Filippo Parodi

A work made of lithograph on white laid paper.

Nude Girl Seen from Back, n.d.

Aristide Joseph-Bonaventure Maillol

A work made of ivory.

Bacchic Scene, c. 1625–c. 1675

Flemish

A work made of black chalk on tan laid paper.

Ascending Male Nude, n.d.

Michelangelo Buonarroti

A work made of gelatin silver print.

Nude, 1936, printed c. 1953

Edward Weston

A work made of gelatin silver print.

Nude, 1934, printed 1953/54

Edward Weston

A work made of engraving in black on ivory laid paper.

Battle of Eighteen Nude Men, c. 1520

Barthel Beham

Porcelain vessel of woman riding rooster with elaborate plumage

Seated Male Nude, Arms Uplifted, 1917/21

John Singer Sargent

A work made of graphite on cream wove paper.

Nude, n.d.

Gaston Lachaise

A work made of gelatin silver prints mounted on masonite and wood.

Composites: Philadelphia, 1966

Ray Krueger Metzker

A work made of graphite on buff wove paper, traced over for soft ground etching with offset of soft ground on verso, showing through.

Drawing for "Standing Nude", c. 1879

Mary Cassatt

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