Curator

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Rattle

Rattle, 1100–1470

Chimú

A work made of ceramic.

Stirrup-Spout Vessel Depicting a Puma with Suckling Cubs, 1100–1470

Chimú

A work made of ash wood, sweet grass, and commercial dye.

Supeq II, 2023

Theresa Secord

A work made of walrus ivory.

Probably a Knife or Scraper Handle with Incised Lines and Circles, 800–1000

Punuk

A work made of gelatin silver print.

North House, Kiva Poles and Thunder Clouds, pl. 11 from the album "Taos Pueblo" (1930), 1920/29

Ansel Adams

A work made of photogravure, plate 416 from "the north american indian, volume 12" (1922).

At the Trysting Place, 1921

Edward S. Curtis

A work made of ceramic.

Single-Spout Vessel with a Monkey Standing on Top, 1200–1470

Chimú-Inca

A work made of ceramic and pigment.

Wide-Mouthed Jar with Raised Motif of a Man Attacked by a Feline, 100 BCE–500 CE

Moche

A work made of lantern slide.

Ely Cathedral: Nave into North Transept, 1891

Frederick H. Evans

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of toned gelatin silver print, stereo.

Clark Street, North from Madison, from the series "Re-Built Chicago", 1873

Lovejoy and Foster

A work made of ceramic.

Stirrup Spout Vessel with Raised Geometric Scroll Motif, 1000–200 BCE

Cupisnique

A work made of ceramic.

Stirrup Spout Vessel Depicing Erotic Scene, 1100–1470

Chimú

A work made of albumen print, stereo.

On the Machno at Pandy Mill, North Wales, n.d.

Unknown

A work made of lantern slide.

Ely Cathedral: North Choir Aisle to West, 1891

Frederick H. Evans

A work made of gouache on gelatin silver print.

Proposal: Facade for 700-720 North Michigan Avenue, Chicago, 1977

Richard John Haas

A work made of ceramic and pigment.

Stirrup Spout Vessel in the Form of a Seated Figure with Insects on Torso, 100 BCE–500 CE

Moche

A work made of ceramic.

Flute with Incised Geometric Motif and Mouth in the Form of a Human Head, 1200–1450

Chimú

A work made of digital archival inkjet print.

View North from Canalport Exit, 1982, printed 2004

Jay Wolke

A work made of chromogenic print.

Piedmont Biofuels, Pittsboro, North Carolina, from the series "Sweet Earth: Experimental Utopias in America", April 2005

Joel Sternfeld

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