Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on panel.

Abstraction: Background with Blue Cloudy Sky, January 4, 1930

Pablo Picasso

A work made of steel and paint.

Carretta, 1955

Alexander Calder

A work made of box construction.

Untitled (Bird), 1948

Joseph Cornell

A work made of oil on canvas.

North River Shad, c. 1910

William Merritt Chase

A work made of hide, painted wood frame.

Domestic Abstraction, 1987

Tony Tasset

A work made of oil on canvas.

Apples, 1916

Henri Matisse

A work made of bronze.

Head of Apollo, 1900–1909

Emile-Antoine Bourdelle

A work made of box construction with painted glass.

Untitled (Black Hunter), c. 1939

Joseph Cornell

Cutting from a manuscript of the letter G in pink on a green-brown background, with curling leafs in red, blue, and green.

Decorated Initial "G" in Pink with Curling Leaves from a Manuscript, 14th century or modern, c. 1920

Five stick-like figures in black and white with orange highlights float against a colorful background, four stars in the left corner.

Painting (Figures with Stars), 1933

Joan Miró

A work made of oil on linen.

Self-Portrait (for Roy Snow), 1993

Susanna Coffey

A work made of bronze.

Man of the Night, 1954

Germaine Richier

A work made of oil, and possibly sand, on canvas.

Untitled (Still Life with Lobster), c. 1930

Jan Matulka

A work made of oil on canvas.

Day (Truth), 1896/98

Ferdinand Hodler

A work made of box construction.

Untitled (Homage to Blériot), 1956

Joseph Cornell

A work made of cotton and linen, plain weave; block printed.

Les Fruits D'Afrique (The Fruits of Africa), c. 1920

Raoul Dufy

A work made of wood, shell, and keys.

Assemblage, c. 1922

Paul Joostens

A work made of box construction with amber glass.

Untitled (Sequestered Bower), c. 1948

Joseph Cornell

Painting of man in coat with ascot, pigment is applied thickly.

Smooth Talker, or The Academician (Bonimenteur ou L'Académicien), c. 1925

Georges Rouault

Painting featuring a red background and tiny, tightly spaced black shapes, creating an undulating, netlike pattern that fills the entire canvas.

No. I.Z, 1960

Yayoi Kusama

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