Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of box construction.

Untitled (Bird), 1948

Joseph Cornell

A work made of oil on panel.

Abstraction: Background with Blue Cloudy Sky, January 4, 1930

Pablo Picasso

A work made of oil on canvas.

North River Shad, c. 1910

William Merritt Chase

A work made of woodcut in salmon, fawn, tan, red, light blue and medium blue from four blocks on cream laid paper.

Modern Bucolic, 1901

Louis Auguste Lepère

A work made of oil on canvas.

Apples, 1916

Henri Matisse

A work made of hide, painted wood frame.

Domestic Abstraction, 1987

Tony Tasset

A work made of box construction with painted glass.

Untitled (Black Hunter), c. 1939

Joseph Cornell

A work made of bronze.

Head of Apollo, 1900–1909

Emile-Antoine Bourdelle

Five stick-like figures in black and white with orange highlights float against a colorful background, four stars in the left corner.

Painting (Figures with Stars), 1933

Joan Miró

A work made of oil, and possibly sand, on canvas.

Untitled (Still Life with Lobster), c. 1930

Jan Matulka

A work made of bronze.

Man of the Night, 1954

Germaine Richier

A work made of oil on linen.

Self-Portrait (for Roy Snow), 1993

Susanna Coffey

A work made of box construction.

Untitled (Homage to Blériot), 1956

Joseph Cornell

A work made of cotton and linen, plain weave; block printed.

Les Fruits D'Afrique (The Fruits of Africa), c. 1920

Raoul Dufy

A work made of oil on canvas.

Day (Truth), 1896/98

Ferdinand Hodler

A work made of wood, shell, and keys.

Assemblage, c. 1922

Paul Joostens

A work made of box construction with amber glass.

Untitled (Sequestered Bower), c. 1948

Joseph Cornell

Wall installation of black outlined green letters spelling out phrase in English.

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, 1980

Lawrence Weiner

Painting featuring a red background and tiny, tightly spaced black shapes, creating an undulating, netlike pattern that fills the entire canvas.

No. I.Z, 1960

Yayoi Kusama

A work made of oil on canvas.

Counter-Composition VIII, 1924

Theo van Doesburg

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