Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of casein on board.

My Man, 1943

Yasuo Kuniyoshi

A work made of oil on canvas.

Conversation in Studio, 1943

Milton Avery

A work made of oil on canvas.

Martin A. Ryerson, 1913

Louis Betts

A work made of aluminum and upholstery.

Barwa Lounge Chair, 1946

Edgar Bartolucci

A work made of oil on canvas.

Combat, 1964

Leon Golub

A work made of terracotta.

Adolescent Girl, 1920

Charles Despiau

A work made of box construction.

Untitled (For Trista), c. 1969

Joseph Cornell

Two oblong pieces of wood that taper towards the bottom attached to a rectangular base of lighter wood. Each form has rounded openings painted white.

Two Figures (Menhirs), c. 1954/55

Barbara Hepworth

A work made of acrylic on fiberglass and plywood.

The Chicago Panels, 1989/99

Ellsworth Kelly

Six colorful prints, each featuring stylized groupings of animals, including a cat, horses, sheep, and deer.

After Franz Marc: 1-6, 1982

Sherrie Levine

A bisected rectangle, each side of which icludes a curved form seeming to represent a portion of a human body adorned in black lace undergarments.

Loose Beauty, 1973

Christina Ramberg

A work made of oil on canvas.

Mid American, 1969

Ed Paschke

White sculpture of various sized rectangles stacked and interlocked with one another.

Interrelation of Volumes from the Ellipsoid, 1926

Georges Vantongerloo

A work made of lascaux acrylic on epoxy-edged fiberglass with aluminum with four unpainted round steel bolts.

The Elliott Room: Charter II, 1987 [series 1985–87]

Robert Ryman

A work made of acrylic on masonite.

Mitin al aire libre, 1948

David Alfaro Siqueiros

A work made of oil on canvas.

Landscape at Cagnes, c. 1923

Chaim Soutine

A series of seven vertical rectangles of a single color—blue, red, white, and yellow, a black rectangle at center—arranged in a horizontal panel.

Red Yellow Blue White and Black II, 1953

Ellsworth Kelly

A work made of wood.

Walnut, 1953

Raoul Hague

A work made of box construction with painted glass.

Untitled (Hôtel du Nord), c. 1950

Joseph Cornell

Photographic portrait of a medium dark–skinned pregnant woman. She sits on a wooden chair, holding her belly with her right hand and her cheek with her left. The image is divided up into six framed panels arranged in three rows of two panels each.

Oneika I, 1996

Dawoud Bey

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