Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Large mound of rocks intersected radially by long rectangular mirrors.

Chalk-Mirror Displacement, 1969

Robert Smithson

Multicolored painting of geometric shapes intersecting and overlapping in a circular flow.

Festival in Montmartre, 1913

Gino Severini

A Cold Day in Hell

A Cold Day in Hell, 1982

Suzanne Caporael

A work made of oil on canvas.

Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915

Kasimir Malevich

A work made of oil on canvas, three joined panels.

Heart of Darkness, 1982

Sean Scully

A work made of oil on linen.

Attendant 2, 1996/99

Brice Marden

A rather stark, clean-lined painting shows a fireplace mantle topped with a clock against a bare wall with wood paneling. From the back wall of the fireplace, a black locomotive emerges, belching smoke and riding an unseen track in the the air.

La durée poignardée (Time Transfixed), 1938

René Magritte

A work made of oil on canvas.

Ballet Dancer, late 1920s

André Derain

A work made of bronze.

Woman Leaning on Her Hands, 1905, cast c. 1930

Henri Matisse

A work made of steel and maple (later laminated surface).

Desk, 1937–39

Frank Lloyd Wright

A work made of oil on canvas.

Dahlia and Daisies in a Vase, c. 1904

Henri Rousseau

A work made of oil on cardboard.

Nude with Cats, 1901

Pablo Picasso

A work made of plastic filaments and metal hanging hardware.

Pénétrable de Chicago, 1971

Jesús Rafael Soto

A work made of wood, jute, salt, and steel.

Salt Seller, 1988

Mirosław Bałka

A work made of polychrome stucco plaster.

Shepherd Boy, 1929

Olga Chassaing

A work made of oil on canvas.

Heart of the Matter, 1963

Otis Kaye

A work made of acrylic on fiberglass and plywood.

Green Panel, 1989/99

Ellsworth Kelly

A work made of bronze.

Small Crouching Nude without an Arm, 1908, cast 1909

Henri Matisse

An abstract painting in greens and blues shows many small, card- or brick-like squares and rectangles merging at bottom and encroaching upon the center from the sides, like a wall trying to close itself, or a wall opening. Beyond these shapes is the suggestion of a hazy green sky with clouds and perhaps more shapes.

Towards the Unknown, 1950

Gunther Gerzso

An abstracted painting of a pink girl, arms and legs outstretched, rendered in dark-brown lines and circles against a brown background, with scattered stick drawings around her. The lines are illuminated by surrounding points of color in yellow, orange, green, pink, and beige.

Dancing Girl, 1940

Paul Klee

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