Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Macy's Jet Set, 1978

Karl Wirsum

A work made of enamel on aluminum.

Type B, 1986

Christopher Wool

A work made of charcoal, pastel, and oil on canvas.

Study for "The Vermonter", 1965–66

Ivan Albright

A work made of baked enamel on steel.

ABCD 5, 1971

Sol LeWitt

A work made of two 800 pound limestone boulders and steel rod.

and, 1997/99

Janine Antoni

Earth toned landscape painting of boats and lighthouses composed of geometric shapes.

Little Harbor in Normandy, spring 1909

Georges Braque

A work made of fiberglass and polyester resin.

Untitled, 1965

Bruce Nauman

A work made of oil and aerosol spray paint on canvas.

New York, 1956

Hedda Sterne

A work made of oil on canvas.

Wilderness Storms, 1976

Roger Brown

A work made of sixteen-channel black-and-white video, sound (sixteen cathode ray tubes); 5-to-30 second loops, 16 x 54 x 66 in. (40.6 x 137.2 x 167.6 cm), niche recessed into wall.

Inasmuch As It Is Always Already Taking Place, 1990

Gary Hill

A work made of oil on canvas.

The Glass, 1911/12

Pablo Picasso

A work made of oil and collage on panel.

Towards a definitive statement on the coming trends in men's wear and accessories (c) Adonis in Y-fronts, 1962

Richard Hamilton

A work made of oil on canvas.

Wheatfield, c. 1951

Georges Braque

A work made of gilded bronze.

Construction With and Within a Cube, 1945

Max Bill

Geometric shapes outlined in white fit together like a puzzle, coming in from the edges of the canvas. The shapes are blue/green, purple, and orange/purple; they are each colored with small splotches of paint in purple, red yellow, and green/blue.

Con brio, 1983

Keith Morrison

A work made of oil on board.

El Zocodover, Toledo, Spain, 1910

Childe Hassam

Shiny dark sculpture of nude woman reclining on stone pedestal.

Seated Nude, 1922–29, cast 1951

Henri Matisse

A work made of bronze.

Standing Woman, 1956

Alberto Giacometti

An oil painting of a colorful female face on a white background. The woman wears glasses and large, hoop earrings, and is rendered in blue, red, yellow, and purples shades that create a kaleidoscopic effect.

Towards Identity, 1970

Nelson Stevens

A work made of oil on panel.

Still Life: Barbera, 1918

Gino Severini

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