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A work made of two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching; embellished with metal-backed glass mirrors.

Ceremonial Skirt (tapis), Early 19th century

Abung

A work made of lithograph in black on white wove paper.

10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire, 1839

Honoré-Victorin Daumier

A work made of silk; embroidered in eyelet, buttonhole and chain stitches and inset with tiny mirrors.

Shawl, 19th century

A work made of poster.

Jansons, Schubert, Mozark, Haydn, n.d.

Mirko Borsche

A work made of plain green satin embroidered in buttonhole, chain, and ladder stitches with red, yellow, black, and white silk inset with tny mirrors.

Shirt, 19th century

A work made of wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Carpet, 1920/29

Jean Lurçat

A work made of lithograph on cream wove paper.

Before the Mirror, 1943

Benjamin Kopman

A work made of graphite on cream wove paper.

Merron, 1877

Hendrik Pieter Koekkoek

A work made of pierced and gilded bone sticks and guards; painted paper mount; mirror in guard; pearl rivet; fancy metal loop.

Fan, 19th century

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of Kiriya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2, 1776

Kitao Shigemasa

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of Otawaraya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2, 1776

Kitao Shigemasa

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of Matsubaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2, 1776

Kitao Shigemasa

A work made of graphite on ivory wove paper.

Draped Figure and Reflection, study for Mirror of Venus, c. 1873–77

Sir Edward Burne-Jones

R.W.F. (Rainer Werner Fassbinder)

R.W.F. (Rainer Werner Fassbinder), 1993

Dominique Gonzalez-Foerster

A work made of albumen silver print, stereo.

Mirror Lake, Yosemite, California, 1894

Benjamin West Kilburn

A work made of onyx, lapis lazuli, green beryl diamonds, gold, and mirrored glass.

Compact, c. 1925

Cartier (Firm)

A work made of color woodblock print; double-page illustration cut from a book.

Courtesans of Shin Kanaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2, 1776

Kitao Shigemasa

A work made of wool, cotton, silk, and synthetic, plain and twill weaves; with uncut loops.

Miro (Curtain Fabric), 1950

Dorothy Liebes

A work made of book.

Bayerische Staatsoper Written on Skin, 2012–2013

Mirko Borsche

A work made of ceramic.

Fragment of a Bowl, 13th-14th century

Byzantine

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