Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Woven Light— Glass Brick, c. 1945

Carlotta Corpron

A work made of plexiglass and neon light.

Rooms: No Vacancy Model, 2014

Fake Industries Architectural Agonism

My New Flame

My New Flame, 2012

Ingo Maurer

A work made of gelatin silver print.

Paris, Rue des Ursins, 1931, printed 1970s

André Kertész

A work made of etching, drypoint and aquatint in black on ivory laid paper.

The Arch of the Bridge, plate 6 from Le Fleuve, 1874

Édouard Manet

A work made of engraving on cream laid paper.

Fortune-Teller, c. 1608

Jacques de Gheyn, II

A work made of gelatin silver print.

Paris, Place de la Concorde, 1925, printed 1970s

André Kertész

A work made of graphite on tracing paper.

Tower of Water and Light, Century of Progress Exposition, Chicago, Illinois, Perspective, c. 1929

Voorhees, Gmelin and Walker

A work made of bronze gilt.

Pair of Candelabra, c. 1789

In the manner of Pierre Gouthière

A work made of etching, drypoint and aquatint in black on ivory laid paper.

Swallows, plate 8 from Le Fleuve, 1874

Édouard Manet

A work made of hand-colored print.

Window Light/Boston, 1979

Christopher James

Light Calligram II

Light Calligram II, 1993

Joan Fontcuberta

Black ink print of a woman leaning on the side of a ship. She wears draped clothing and looks out, the sails' ropes behind her.

The Major's Daughter, 1862

Joseph Swain

A work made of etching, drypoint and aquatint in black on ivory laid paper.

The River in the Plain, plate 4 from Le Fleuve, 1874

Édouard Manet

A work made of gelatin silver print.

Lights Dancing, 1977/78

Kiyoaki Kato

A work made of gelatin silver print.

Paris, Pont Marie at Night, 1963, printed 1970s

André Kertész

A work made of gilt bronze.

Pair of Candlesticks, c. 1680

School of Francesco Bertos

A work made of etching, drypoint and aquatint in black on ivory laid paper.

The Parapet of the Bridge, plate 5 from Le Fleuve, 1874

Édouard Manet

A work made of etching and drypoint in black on ivory laid paper.

The Sea, plate 7 from Le Fleuve, 1874

Édouard Manet

Test 3 - Color

Test 3 - Color, 2016

Formafantasma

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