Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of stoneware and glaze.

Lantern, 1940–50

J. Sheldon Carey

A work made of brass, iron.

Bullet Mold for a Light Artillery Piece, 18th century

A work made of soft ground etching and aquatint on light blue laid paper.

Amber Garden, 1919

Arthur B. Davies

A work made of gelatin silver prints (2).

Feathered Light Source, 1973

Robert Cumming

A work made of display boxes, mixed media, lights, tables.

Dilapidarian Tower, 2010

Richard Hawkins

A work made of etching on ivory laid paper.

The Fire of Faction, 1762

Paul Sandby

Scholar's Retreat

Scholar's Retreat, Qing dynasty (1644–1911), dated 1739

Cai Jai

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of red fluorescent and incandescent light on acrylic and masonite and pine.

one of May 27, 1963, 1963

Dan Flavin

A work made of lithograph in black on off-white china paper laid down on ivory wove paper.

We Both Saw a Large Pale Light, plate 2 of 6, 1896

Odilon Redon

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

A work made of gelatin silver print.

Historical Building with Christmas Lights, 1977/78

Kiyoaki Kato

A work made of glass; colorless and dark blue, blown and cut, gilded bronze.

Candelabra, 1780/1800

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).

For to Be a Farmer's Boy, 1887

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of vintage phs cologram, with light box.

No Fumare, Por Favore, 1997

Ed Paschke

A work made of blue and black ballpoint pen, blue and black felt-tip pen, colored pencil, and pastel on cream wove paper.

Light Tower on Biscay Bay St Nazaire France, c. 1964

Joseph Yoakum

A work made of spray foam, plaster, light fixture, and metal hooks.

it was gold, it was radiant and reasonable, 2013

Sabina Ott

A work made of lithograph on light blue wove paper.

Yvette Guilbert on Stage, from Yvette Guilbert, 1898

Henri de Toulouse-Lautrec

A work made of site-specific, text-based light installation.

Public Notice 3, September 2010

Jitish Kallat

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