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A work made of watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper.

North Woods Club, Adirondacks (The Interrupted Tete-a-Tete), 1892

Winslow Homer

A work made of gelatin silver print.

Lamp Posts, 1934

Ilse Bing

A work made of screenprint on nishinouchi (japanese paper).

Church of the Light, Ibaraki, Japan, Perspective, 1998

Tadao Ando

A work made of patinated and gilded bronze.

Pair of Eight Light Candelabra, c. 1785 or 19th century

Clodion, (Claude Michel)

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

Camp of the 4th Light Dragoons, 1855

Roger Fenton

A work made of brass, iron.

Bullet Mold for a Light Artillery Piece, 18th century

A work made of display boxes, mixed media, lights, tables.

Dilapidarian Tower, 2010

Richard Hawkins

A work made of soft ground etching and aquatint on light blue laid paper.

Amber Garden, 1919

Arthur B. Davies

A work made of etching on ivory laid paper.

The Fire of Faction, 1762

Paul Sandby

A work made of gelatin silver prints (2).

Feathered Light Source, 1973

Robert Cumming

Scholar's Retreat

Scholar's Retreat, Qing dynasty (1644–1911), dated 1739

Cai Jai

A work made of lithograph in black on off-white china paper laid down on ivory wove paper.

We Both Saw a Large Pale Light, plate 2 of 6, 1896

Odilon Redon

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of metal.

UNO – Metrò, La Uno Series, Lamp Stand, 2017

PIOVENEFABI

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).

For to Be a Farmer's Boy, 1887

Winslow Homer

A work made of gelatin silver print.

Historical Building with Christmas Lights, 1977/78

Kiyoaki Kato

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of vintage phs cologram, with light box.

No Fumare, Por Favore, 1997

Ed Paschke

A work made of chromogenic print.

Untitled, from the series "Dream Villa" (2010), 2007

Dayanita Singh

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