Curator

  • Art Institute Chicago
  • Harvard art museum
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Scholar's Retreat

Scholar's Retreat, Qing dynasty (1644–1911), dated 1739

Cai Jai

A work made of gelatin silver prints (2).

Feathered Light Source, 1973

Robert Cumming

A work made of watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper.

The Water Fan, 1898/99

Winslow Homer

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of lithograph in black on off-white china paper laid down on ivory wove paper.

We Both Saw a Large Pale Light, plate 2 of 6, 1896

Odilon Redon

A work made of chromogenic print.

Untitled, from the series "Dream Villa" (2010), 2007

Dayanita Singh

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on thick, rough-textured ivory wove paper (lower edge trimmed).

For to Be a Farmer's Boy, 1887

Winslow Homer

A work made of vintage phs cologram, with light box.

No Fumare, Por Favore, 1997

Ed Paschke

A work made of gelatin silver print.

Historical Building with Christmas Lights, 1977/78

Kiyoaki Kato

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of red fluorescent and incandescent light on acrylic and masonite and pine.

one of May 27, 1963, 1963

Dan Flavin

A work made of blue and black ballpoint pen, blue and black felt-tip pen, colored pencil, and pastel on cream wove paper.

Light Tower on Biscay Bay St Nazaire France, c. 1964

Joseph Yoakum

A work made of lithograph on light blue wove paper.

Yvette Guilbert on Stage, from Yvette Guilbert, 1898

Henri de Toulouse-Lautrec

A work made of site-specific, text-based light installation.

Public Notice 3, September 2010

Jitish Kallat

A work made of glass; colorless and dark blue, blown and cut, gilded bronze.

Candelabra, 1780/1800

A wall-mounted sculpture in brown plastic-like material in the shape of an oversized light switch with two switches side by side.

Light Switches–Hard Version, Replica (Brown), 1964–69

Claes Oldenburg

A work made of graphite and opaque white watercolor, with traces of black chalk, on medium weight, slightly-textured, tan laid paper with blue and red fibers.

Fishing off Scarborough, 1882

Winslow Homer

A work made of lithograph in black on light-gray china paper laid down on white wove paper.

Jane Shore, 1828

Eugène Delacroix

A work made of gelatin silver print with applied enamel.

Light/Red Chair #4, 1980

Christopher James

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper (all edges trimmed).

The Watcher, Tynemouth, 1882

Winslow Homer

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