Curator

  • Art Institute Chicago
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A work made of gelatin silver print.

Farmyard with Yard Light, Near Hazelton, North Dakota, 1981

Thomas Frederick Arndt

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Physionomies Parisiennes: Petit Commerce. La Monnaie d'un Ballon., 1857–58

Paul Gavarni

A work made of silver dye-bleach monoprint.

Second-Degree Still Life #54 (Light a Candle for Poland), 1983

Jerry Burchfield

Six tall, vertical, double-sided signs emitting blue LED light and featuring a moving stream of text.

Blue Tilt, 2004

Jenny Holzer

A work made of lithograph on light gray chine.

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6, 1891

Odilon Redon

A work made of graphite on light gray laid paper.

Landscape in Montfoucault, 1864

Camille Pissarro

A work made of pastel on cream wove pastel paper, perimeter mounted on light gray wove paper.

At the Window, rue des Trois Frères, 1878–79

Camille Pissarro

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Untitled (Central Park, Woman Lighting Cigarette from Another's), c. 1975

Garry Winogrand

A work made of lithograph in black on light gray laid china paper.

The Large Nude, 1906/07

Henri Matisse

A work made of lithograph in light blue, gray, and black on white wove paper.

Van Gogh's Criminal Obsession, 1968

José Luis Cuevas

La Gismonda (Sarah Bernhardt)

La Gismonda (Sarah Bernhardt), 1894/95

Alphonse Marie Mucha

A work made of lithograph in black on light gray chine.

Bathing Women, second medium plate, 1899

Henri Fantin-Latour

A work made of album of 25 leaves; ink and light color on paper.

Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006)Suggested Amendments to album title by Jacqueline Chao, 2013:Xu Gu (Chinese, 1824-1896), Album of Landscapes and Figures, with Calligraphy by Chen Xiuyu (Chinese, 1858-1942), for Liu Songfu (act. 19th century)Rare, landscapes by Xugu are relatively few. All seals by Xugu are very good. Brushwork of leaves with dark birds is freer, bolder than similar works. But overall, not best quality among Xugu’s works; painted informally for a friend; e.g., leaves with green hills and men under trees. Calligraphy written by Mr. Chen at request of Liu Songfu, dedicated to Ayscough and MacNair. (Comments by Zhong Yinlan, 2006), Qing dynasty (1644–1911), 1896

Xugu

A work made of gelatin silver print.

Light Forms Against the Jungle, 1954

Clarence John Laughlin

A work made of gouache with pen and black ink, on light gray linen.

Study of Students Putting on Uniforms, 1908/09

Ferdinand Hodler

A work made of lithograph in black on light gray china paper laid down on white wove paper.

La Rue de la Vieille Lanterne: The Suicide of Gérard de Nerval, 1855

Gustave Doré

A work made of soft ground etching and aquatint on light blue laid paper.

Tragic Figure, 1919–20

Arthur B. Davies

A work made of three silver dye transparencies, three light boxes, gilded frames and mirrors.

1 + 1 + 1, 1987

Alfredo Jaar

A work made of lithograph in black on light gray chine laid down on white wove paper.

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines", 1883

Odilon Redon

A work made of stoneware (jasperware).

Medallion with Cupid Lighting His Wick, Late 18th century

Wedgwood Manufactory

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