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A work made of offset lithograph on paper.

Edgardo Giménez—Diseñador Gráfico—Escenógrafo

Edgardo Giménez

A work made of graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper.

Open Veins of Latin America, from Human_3.0 Reading List, 2016

Cauleen Smith

A work made of cotton and silk, plain weave with patterning and brocading wefts.

Blouse (Huipil), 1900/50

Maya

A work made of cotton and wool (camelid), slit and single dovetailed tapestry weave.

Fragment (Border), 1000-1476

Chancay

A work made of ceramic and pigment.

Polychrome Plate Depicting a Standing Figure with Ornate Speach-Scroll, 600–900

Veracruz, Classic

A work made of watercolor and pen and black ink, over graphite, on cream wove paper.

The White Goat, 1935

Antonio Gattorno

A work made of pen and ink on paper.

Moles, 1958

Rodolfo Abularach

A work made of ceramic and pigment.

Handle Spout Vessel in the Form of an Anthropomorphic Owl with Feline Fangs, Holding a Serpent, 100 BCE–500 CE

Moche

A work made of relief etching from a zinc plate on grayish-ivory china paper.

Calavera of Francisco Madero, from Calavera Maderista, printed 1944

José Guadalupe Posada

A work made of earthenware and pigment.

Open-Necked Vessel in the Form of a Human Head, Possibly Deceased, c. 200 CE

Jalisco

A work made of gelatin silver print.

Optical Parable (Parábola óptica), 1931, printed later

Manuel Alvarez-Bravo

A work made of gelatin silver print.

Serra Pelada, State of Para, Brazil, 1986

Sebastião Salgado

A work made of ceramic.

Jar in the Form of an Erotic Scene, 1200–1470

Chimú-Inca

A work made of gelatin silver print.

Ventana de Radiografías (X-ray Window), 1940

Manuel Alvarez-Bravo

A work made of lithograph in black, red, blue, green and yellow on cream wove paper.

Prints from the Popol-Vuh, 1943

Carlos Mérida

A work made of ceramic and pigment.

Standing Warrior Figure with Removable Mask and Headdress, 700–1000

Veracruz, Classic

A work made of manuscript cutting in tempera, red, brown and black ink, gold paint and gold leaf, with latin inscriptions in black ink, ruled in red, and further inscriptions and decorations, verso, on parchment.

Coronation of the Virgin with Decorative Border from a Prayerbook, n.d.

A work made of color intaglio on cream wove paper.

Cosmicstrip I, from Cosmicstrip series, 1959, published 1960

Matta

A work made of ceramic and pigment.

Bowl Depicting Vencejo Birds, 180 BCE–500 CE

Nasca

A work made of ceramic and pigment.

Bottle with a Masked Figure and Abstract Feline and Textile Motifs, 700–900

Tiwanaku

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