Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work.

Tassels, 500 CE-900 CE

Nasca

A work made of glass, mold-blown technique.

Pilgrimage Jug with Christian Symbols, 578–636

Byzantine

A work made of woodcut in black with letterpress on verso on tan laid paper.

Saint Mark from Latin Bible, plate 28 from Woodcuts from Books of the XVI Century, 1541, portfolio assembled 1937

Lucas Cranach, II

A work made of gourd and pigment.

Bowl with Incised and Painted Textile-Like Motifs, 15th–16th century

Inca

Textile border fragment in blue, green, and coral, with stripes at top, figures in the middle, and square fringe at bottom.

Fragment (Border), 100 BCE-200 CE

Nasca

A work.

Fragment

A work made of etching on ivory laid paper.

Transcription of various ancient Latin inscriptions, from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of gauguin monogram and artist's name in latin letters on heavy blue-green wove card.

Cover to Paul Gauguin: 10 Traesnit (Pola Gauguin Portfolio), 1921

Pola Gauguin

Aesop's Fables With His Life: In English, French & Latin

Aesop's Fables With His Life: In English, French & Latin, 1665–66

Francis Barlow

A work made of oil on canvas.

The Earth Is a Man, 1942

Matta

Origen's Peri Archon, or First Principles, translated by Rufinus

Origen's Peri Archon, or First Principles, translated by Rufinus, 1470/80 (17th century binding)

Origen

Coca Bag

Coca Bag, 1532-1800

Inca

Sculpture of a jaguar, somewhat bear-like and grinning widely, seated on its haunches. It is covered in an intricate, maze-like pattern in brown, cream and red.

Otorongo, 2020

Celia Vasquez Yui

A work.

Fragment, 700 CE-900 CE

Nasca

A work.

Tapestry Medallion, 650 CE-700 CE

Nasca

A work made of ceramic and pigment.

Standing Figure, c. 400 CE

A work made of inkjet print.

Mami on Stairs, Washington Heights, NYC, U.S., 2006, printed 2021

groana melendez

Glazed earthenware plate decorated with stylized leaves and flowers in red, yellow, green, dark blue, and white.

Plate, 1800–50

Talavera Poblana

A work.

Tunic, 800 CE-900 CE

Nasca

Painting of an Indigenous woman native to Mexico bent and seated on a brown floor, using red thread to create a geometric design on a backstrap loom. Earth tones dominate, while a dresser in the background and the bottom portion of the woman's white dress are a deep blue.

Weaving, 1936

Diego Rivera

<<<2345 >>>