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A work made of oil on canvas.

Psychological Morphology, 1938

Matta

A work made of oil on canvas.

Drive in the Knife, May 1943

Matta

A work made of oil on canvas.

Untitled (Psychological Morphology), 1939

Matta

A work made of oil on canvas.

YO + U, 1949

Matta

Two gold-painted, rectangular pieces of wood attached vertically to a wooden base. Two thinner rectangles are in turn attached to the bottom two, a reddish wooden square with a "1" painted on it traversing the top.

Object with Number 1, 1932

Joaquín Torres Garcia

A work made of oil on hardboard.

Estela, 1947

Gunther Gerzso

A work made of oil on hardboard.

La Ciudad Perdida (The Lost City), 1948

Gunther Gerzso

A work made of silver dye-bleach print.

Latin Kings, Chicago, 1980

Luis Medina

A work made of oil on canvas.

Wound Interrogation, 1948

Matta

A work made of bronze.

Couple IV, 1959-60

Matta

A work made of oil on canvas.

Glittering the Being, 1958

Matta

An abstract painting in greens and blues shows many small, card- or brick-like squares and rectangles merging at bottom and encroaching upon the center from the sides, like a wall trying to close itself, or a wall opening. Beyond these shapes is the suggestion of a hazy green sky with clouds and perhaps more shapes.

Towards the Unknown, 1950

Gunther Gerzso

A work made of manuscript with 366 folios, 82 historiated initials and other decorations in tempera, gold leaf and colored inks, and with latin inscriptions in gothica textualis media, in brown and black inks, ruled in graphite, on parchment, bound in brown morocco leather over wooden boards, with gold tooled binding and brass clasps.

Latin Vulgate Bible, 1230/40 (17th century binding)

A work made of oil on canvas.

Glittering, the Being, 1958

Matta

A work made of lithograph in black and red on tan wove paper.

El fascismo en Latino-América (Fascism in Latin America), 1939

José Chávez Morado

A work made of silver dye-bleach print.

Latin Kings, Near Wilson Avenue, Chicago, c. 1980

Luis Medina

A work made of lithograph with tusche on gray wove paper laid down on white wove paper.

Young Woman from the Latin Quarter, 1897

Edvard Munch

A work made of wool (camelid), interlocking tapestry weave with inserts of complementary weft weave.

Poncho, A.D. 1476/1532

Chuquibamba

Inside the form of a letter D are seven men in red and blue robes, one with a triangular hat, at a long table covered in white cloth.

Bishop at Mass in a Historiated Initial "P" from a Choirbook, c. 1300

Master Honoré

A work made of cotton and wool (presumably camelid hair), single interlocking tapestry weave with eccentric wefts.

Large Hanging with Crown and Escutcheon, c. 1700

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