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A work made of manuscript cutting in tempera and gold leaf, with latin inscription in humanistic script in black ink, on vellum.

Illuminated Border with Flora and Grotesques from a Manuscript, 15th or early 16th century

A work made of cotton and wool (camelid), plain weave with discontinuous wefts and single dovetailed tapestry weave; edged with cross-knit loop stitches.

Fragment, 500 CE-1000

Moche

A work made of cotton, plain weave with bundles of extended warps; painted.

Mummy Mask, 200 BCE-100 BCE

Paracas

A work made of wool and cotton, plain weave with patterning warps.

Belt (Chumpi), Probably late 19th/early 20th century

Quechua

A work made of manuscript with 182 folios, 11 miniatures, 15 historiated initials and other decorations in tempera, gold leaf and colored inks, and littera textualis inscriptions in latin and french, in light black ink, ruled in red, on parchment, bound in leather stamped with various designs.

Book of Hours for the Use of Limoges, 1480/1500 (late 15th century binding)

Master of Catherine Gentille

A work made of ceramic.

Blackware Plate with Fish Incised in Interior, 500–150 BCE

Paracas

A work made of etching on paper.

Woman and Child, 1947

Alfredo Zalce

A work made of brush and black ink, over charcoal, on tan laid paper.

Expressions, n.d.

Diego Rivera

A work made of wool (camelid), simple looping; applied wool (camelid) braided neck edging; and unspun wool fringe.

Tunic, 200 BCE-1 BCE

Paracas

A work made of ceramic.

Figure of a Woman in Ceremonial Dress, 700–900

Veracruz, Classic

A work made of lithograph on cream wove paper.

The Palizada River, from Estampas de Yucatán, 1945, published 1946

Alfredo Zalce

A work made of earthenware and pigment.

Ballplayer Figurine, 800–1400

Veracruz, Classic

A work made of tin-glazed earthenware.

Bowl, 1800–50

Talavera Poblana

A work made of wool (camelid), tubular three- and five-color complementary warp and three-color complementary weft plain weave, double cloth; braided warp cut fringe.

Band, 800 CE-900 CE

Nasca

A work made of ceramic and pigment.

Vessel in the Form of a Seal Impersonator Playing a Drum, 100 BCE–500 CE

Moche

A work made of tempera and gold leaf, with gothica textualis inscriptions in latin in light brown ink, rubrics in red ink, and ruled in light brown ink, on parchment.

The Marriage of Hosea and Gomer in a Historiated Initial "V" from a Bible, 1345/48

A work made of ceramic and pigment.

Stirrup Spout Vessel in the Form of a Woman Laying on the Back of a Llama, 100 BCE–500 CE

Moche

A work made of cotton and camelid wool, slit tapestry weave with eccentric wefts.

Panel, 1250-1470

Chimú

Four women with musical instruments lounge in a massive garden courtyard.

Portrait Vessel of a Ruler with Face Paint and Large Earflares, 100 BCE–500 CE

Moche

A work made of wood engraving in black ink on ivory chinese paper.

What May Come (Mexico, 1945), 1945

Leopoldo Méndez

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