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A work made of ceramic and pigment.

Vessel, 1400–1532

Inca

A work made of graphite on paper.

Street Scene, 1976

Fernando Botero

A work made of ceramic and pigment.

Portrait Vessel of a Man with a Cleft Lip and Tattoos, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Vessel of a Harvester, 350–500 CE

Nasca

A work made of ceramic and pigment.

Figure of a Seated Chieftain, 100 BCE–250 CE

Nayarit

A work made of wool (camelid), plain weave self-patterned by main warp floats; joined in double running stitches; edged with plain weave with plied warp fringe.

Bag, 1476-1532

Inca

A work made of color lithograph in dark brown on white nacre japanese paper.

Machado, plate two from Oda a Lorca, 1962

Antonio Frasconi

A work made of oil on canvas.

Portrait of Florence Arquin, 1943

Diego Rivera

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in latin in black ink, ruled in red, and with other decorations, on parchment.

Saint Dominic in a Historiated Initial "G" from an Antiphonary, 1310/15

Neri da Rimini

A work made of ceramic and pigment.

Bowl with Sculpted Female Figure with Splayed Legs in Interior, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Tripod Bowl Depicting Head of Bird on its Interior Surface, 1200–1521

Cholula

A work made of lithograph on paper.

Unemployed, Paris, 1932

José Clemente Orozco

A work made of ceramic and pigment.

Blackware Vessel in the Form of a Figure Fishing, Possibly Ai-Apec, with a Crab, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Vessel in the Form of a Warrior, 100 BCE–500 CE

Moche

A work made of manuscript cutting in tempera and gold leaf, with latin inscription in humanistic script in black ink, on vellum.

Illuminated Border with Flora and Grotesques from a Manuscript, 15th or early 16th century

A work made of cotton, plain weave; with supplementary patterning warps; fringed through extended warp thread.

Ayate, 1900/40

Otomí

A work made of earthenware and pigment.

Model of a Tree-Climbing Ritual, 100–800 CE

Nayarit

A work made of manuscript with 182 folios, 11 miniatures, 15 historiated initials and other decorations in tempera, gold leaf and colored inks, and littera textualis inscriptions in latin and french, in light black ink, ruled in red, on parchment, bound in leather stamped with various designs.

Book of Hours for the Use of Limoges, 1480/1500 (late 15th century binding)

Master of Catherine Gentille

A work made of lithograph on white nacre japanese paper.

Stake, plate five from Oda a Lorca, 1962

Antonio Frasconi

A work made of color woodcut on black wove japanese paper.

Don Quixote, 1948

Antonio Frasconi

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