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A work made of relief etching on paper.

Heads of Saw-Bill Duck and Two Crocodiles, n.d.

John Ruskin

A work made of gelatin silver print, from the portfolio "photographs: rhode island school design, 1966-67".

Providence, R.I., 1966

John McWilliams

A work made of pen and black ink, over graphite, on ivory wove paper, laid down on tan wove paper.

Ulysses, Penelope and Euryclea, n.d.

John Flaxman

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Big Dipper, Charlotte, North Carolina, 1976, printed c. 1981

John Pfahl

A work made of lithograph on paper.

Canadians Entering Cambrai, from the series Ruins of War, 1919

Frank Brangwyn

A work made of woodcut on paper.

Untitled (La Grande Eclipse), 1982

John Buck

A work made of inkjet print.

Chandigarh (Capitol Complex 4), 2006, printed 2011

John Riddy

A work made of etching and drypoint on cream laid paper.

John Knox's House, 1905

David Young Cameron

A work made of oil on canvas.

Family Group on a Terrace, c. 1740

John Theodore Heins, Sr.

A work made of black pastel, heightened with white pastel, on blue wove paper.

Study for Israel in Egypt, c. 1867

Sir John Edward Poynter

A work made of lithograph, one color on each side of mylar.

Untitled, from The New York Collection for Stockholm, 1973

John Angus Chamberlain

A work made of engraving in black on ivory laid paper.

Penance of St. John Chrysostomus, n.d.

Hans Sebald Beham

A work made of lithograph from one stone and eight aluminum plates on white wove paper.

Zone, 1972

Jasper Johns

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of pen and brown ink, over graphite, on cream wove paper.

Salvia Silvarum, 1881

John Ruskin

A work made of gelatin silver print.

National Farmers' (later Security) Bank, Owatonna, Minnesota, 1907–8, 1954/56

John Szarkowski

A work made of gelatin silver print.

Welding Frames to Caissons, Lake Maracaibo, Western Venezuela, 1944

John Vachon

A work made of etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory japanese paper, laid down on four-ply board, and bound in accordion format.

Light Bulb, plate two from 1st Etchings, 1967–68

Jasper Johns

A work made of color lithograph on japanese paper.

A Lavatory, 1909

John Copley

A work made of lithograph from one stone in gray on unbleached gray wove handmade paper.

2, from 0-9, 1963

Jasper Johns

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