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A work made of oil on canvas.

Light and Shadow, c. 1924

John Warner Norton

A work made of silver gilt, rock crystal, textile, and human remains.

Reliquary Monstrance with a Tooth of Saint John the Baptist, 1433; container: 900/1200

Weddeghe Velstede

Cup and Saucer

Cup and Saucer, 19th century

A work made of watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed).

Blue Sea (recto); Sheet of Sketches (verso), 1923

John Marin

A work made of lithograph in black on cream wove paper.

0 Through 9, 1960

Jasper Johns

A work made of mezzotint with touches of engraving in black on ivory laid paper.

An Incantation, 1772

John Dixon

A work made of etching and aquatint on cream wove paper.

Nude on Posing Stand, 1931

John Sloan

A work made of watercolor with re-wetting and blotting on lightweight, slightly textured, off-white wove paper, pieced.

Building, 1910

John Marin

A work made of lithograph on paper.

Alassio: Starry Night, 1928

John Copley

A work made of tempera on panel.

Ecce Agnus Dei, c. 1455

Giovanni di Paolo

Silver open tureen in the form of a shell supported by three hippocampi. Base supported on feet formed of turtles and coral. Sitting atop the shell basin is a figure of Neptune or Triton blowing a conch shell.

Tureen, 1824

John Bridge

A work made of mezzotint with etching in black on ivory wove paper.

The Destruction of Sodom and Gomorrah, from Illustrations of the Bible, 1832

John Martin

A work made of aquatint on cream wove paper, tipped at top to buff card.

Queer Fish, 1931

John Paul Jensen

A work made of lithograph on paper.

The Sick King, 1914

John Copley

A work made of etching on cream wove paper.

Roofs, Summer Night, 1906

John Sloan

A work made of pen and black ink, and brush and brown wash, on cream wove paper, laid down on japanese paper.

Untitled, 1931

John Graham

A work made of charcoal (recto and verso) with stumping on ivory laid paper.

Seated Male Nude with Extended Leg (recto); Sketch of Kneeling Male Nude and Divided Circle (verso), 1917/21

John Singer Sargent

A work made of photogravure of photomontage by heartfield, published in aiz 14, number 12, march 21, 1935.

Untitled (Diagnosis), 1935

John Heartfield

A work made of black chalk, with red ink inscriptions, on cream wove paper, prepared with a reddish-brown wash.

Male Ecorché, c. 1810

John Partridge

A work made of etching with plate tone on ivory wove paper.

Brooklyn Bridge, No. 6 (Swaying), 1913

John Marin

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