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A work made of embroidered.

Fukusa (Gift Cover), Meiji period (1868–1912), late 19th century

A work made of embroidered.

Fukusa (Gift Cover), Meiji period (1868–1912), late 19th century

A work made of embroidered.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), late 19th century

A work made of embroidered.

Fukusa (Gift Cover), Meiji period (1868–1912), late 19th century

A work made of patterned side: silk, plain weave, with creped wefts (chirimen); embroidered with silk and gold-leaf-over-lacquered-paper -strip wrapped cotton and wrapped silk, in satin, silk padded satin and stem stitches; laidwork and couching; lined with silk, plain weave; interlined with cotton, plain weave sewn with front and lining matched in size (tachikire awase).

Fukusa (Gift Cover), Edo period (1615–1868), 1750/1800

A work made of mon side: wool, plain weave; fulled (gorofukuren); embroidered with silk and gold-leaf-on-lacqueréd-paper-strip wrapped cotton in laidwork, couching and paper padded couching; lined with silk, weft-float faced 4:1 satin weave (shusu); outer edges interlined with paper; sewn with front and lining matched in size (tachikiri awase).

Fukusa (Gift Cover), early Meiji period (1868–1912), 1870/80

A work made of woven in one piece (hikikaeshi); mon side: silk, twill weave, self-patterned by areas of plain interlacing; dye extracted through stenciled chemical dye stripper (bassen); patterned side: silk, plain weave (shioze); painted with india ink (sumi) and gold paint; silk, running "controlling" stitches along all edges; corners: silk, oblique interlacing over wrapped cotton ball, knotted and re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of woven in one piece (hikikaeshi); mon side: silk, weft-faced, warp-ribbed plain weave; patterned side: silk, rayon, cotton, and gold-leaf-over-lacquered-paper-strip wrapped cotton, weft-faced, warp-ribbed plain weave with plain interlacings of secondary binding warps and supplementary brocading wefts (gotenori); woven on a loom with a jacquard attachment.

Fukusa (Gift Cover), early Shôwa period (1926–1989), 1926/40

A work made of mon side: silk, plain weave; stenciled and resist dyed (yûzenzome); patterned side: silk, plain weave; stenciled and resist dyed (yûzenzome: utsushinori yûzenzome hikizome); embroidered with silk and gold-leaf-on-paper-strip wrapped cotton, silver-leaf-over-lacquered-paper-strip wrapped silk and gold-leaf-over- lacquered-paper strips in individual back, satin, stem and straight stitches; couching; sewn with front and lining matched in size (tachikiri awase); corner: silk-wrapped cotton and gold-leaf-over-lacquered-paper-strip-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), early Shôwa period (1926–1989), 1926/40

A work made of pattern side: silk and gold-leaf-over-lacquered-paper-strip wrapped cotton, slit and single dovetailed tapestry weaves (tsuzure); lining: silk, plain weave; sewn with front and lining matched to size (tachikiri awase); corners: gold-leaf-over-lacquered-paper-strip wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of photogravure.

Silent Room, April, 1966

Keith Smith

A work made of color woodblock print; double-page illustration from album.

Delivering New Year Gifts in the Snow, from the illustrated kyoka anthology "The Young God Ebisu (Waka Ebisu)", New Year, 1789

Kitagawa Utamaro

A work made of oil on canvas.

Self-Portrait, 1878

Walter Shirlaw

A work made of chromogenic print.

Untitled, 1971

José Lopez

A bronze lion, deep green and muscular, looks out in the distance from its pedestal in front of the Art Institute of Chicago.

Lion (One of a Pair, South Pedestal), 1893

Edward Kemeys

A work made of photogravure.

Disintegrating Figure, March 1966

Keith Smith

A work made of gelatin silver print.

Untitled, c. 1960/69

Keith Smith

A work made of gelatin silver print.

Untitled, c. 1963

Keith Smith

A work made of hand-colored cliche verre and applied inks on hand-made paper.

Untitled, May 19, 1966

Keith Smith

A work made of cliche verre, graphite, and colored inks.

Untitled, May 19, 1966

Keith Smith

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