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  • Art Institute Chicago
  • Harvard art museum
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A work made of pastel and charcoal with stumping on cream wove paper.

Women Fishing, 1949

Max Beckmann

A work made of engraving in black on ivory laid paper.

The Four Naked Women, 1497

Albrecht Dürer

A work made of drypoint on paper.

Suicide, plate one from Death and Resurrection, 1922

Otto Dix

A work made of lithograph in black and greenish-yellow on ivory wove paper.

The Finding of Moses, 1920

Otto Mueller

A work made of steel and leather.

Pair of Mitten Gauntlets, c. 1530

A work made of engraving on ivory laid paper.

The Virgin and Child in the Garden, n.d.

Israhel van Meckenem, the younger

A work made of gelatin silver print.

Untitled, 1935

Hans Bellmer

A work made of lithograph on paper.

Bird Comedy, 1918

Paul Klee

A work made of lithograph, with gray tone block on cream wove paper.

Church and Graveyard in the Snow by Moonlight, 1827

Carl Blechen

A work made of transfer lithograph on tan imitation japanese paper.

The Martyrdom, plate four from Die Hölle, 1919

Max Beckmann

A work made of engraving in black on ivory laid paper.

The Triumph of Death, plate five from The Triumphs of Petrarch, c. 1539

Georg Pencz

A work made of lithograph in green and gold on paper.

Poster for Die Brücke, 1907

Ernst Ludwig Kirchner

A work made of engraving in black on ivory laid paper.

The Road To Calvary, 1485-91

Martin Schongauer

A work made of offset lithograph on blue machine-made simulated lizard skin paper.

Figure with Hand, 1973

Sigmar Polke

A work made of woodcut in black on paper.

Portrait of Schames, 1917

Ernst Ludwig Kirchner

A work made of lithograph on white wove paper.

Queen of Hearts, 1921

Paul Klee

A work made of color lithograph in black, magenta, red, green, yellow, and cyan on cream laid paper.

Park, 1914

Paul Klee

A work made of steel and leather.

Close Helmet for the Joust and Tourney, c. 1590

A work made of pen and black ink and graphite on white wove paper.

Untitled (4.5.82), 1982

Gerhard Richter

A work made of engraving on ivory laid paper, cut, with etching on ivory laid paper components, laid down on letterpress printed ivory laid paper, and mounted onto cream wove paper.

Second Vision, from Mirrors of the Microcosm, 1613

Lucas Kilian

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