Curator

  • Art Institute Chicago
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A work made of offset lithograph on white wove paper.

T.V. Picture, 1971

Sigmar Polke

A work made of collage composed of cut-and-pasted papers with touches of gouache, on tan wove card, tipped to tan wove card.

Nivea, 1936/37

Kurt Schwitters

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of woodcut in black on cream laid paper.

The Seven Joys of Mary, 1510/1515

Lucas Cranach the Elder

A work made of wood, ebony, bone, and iron.

Cartridge Box, late 16th century

A work made of glazed stoneware.

Tureen with Cover, 1905/06

Richard Riemerschmid

A work made of steel.

Close Helmet, 1520

A work made of transfer lithograph on tan imitation japanese paper.

Malepartus, plate eight from Die Hölle, 1919

Max Beckmann

A work made of woodcut in black on ivory laid paper.

Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510

Albrecht Dürer

A work made of collage composed of cut-and-pasted papers on tan wove card.

MZ 30,17, 1930

Kurt Schwitters

A work made of drypoint on cream laid paper.

The Mad Woman of St Marie-à-Py, from War, 1924

Otto Dix

A work made of gelatin silver print.

Portrait of German novelist Erich Maria Remarque holding vase, 1966

A work made of engraving in black on cream laid paper.

St. George on Foot, 1502

Albrecht Dürer

A work made of cedar wood and paint.

Man Sitting, 1998

Stephan Balkenhol

A work made of engraving in black on ivory laid paper.

The Wedding at Cana, n.d.

Hans Sebald Beham

A work made of collage of cut-and-pasted papers on tan wove card.

Untitled (Arrival for the Dance), 1941/42

Kurt Schwitters

A work made of engraving in black on ivory laid paper.

Virginius Killing His Daughter, 1546/47

Georg Pencz

A work made of inkjet print.

Study, Charité, Berlin, 2015

Thomas Struth

A work made of color screenprint on gray wove paper.

Stalin, 1971

Thomas Bayrle

A work made of aquatint and etching on ivory china paper laid down on cream laid paper.

Back into Nothingness, plate fifteen from A Life, 1884

Max Klinger

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