Curator

  • Art Institute Chicago
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A work made of hard-paste porcelain.

Mourning Madonna, 1756–58

Franz Anton Bustelli

A work made of lithograph on cream wove paper.

Death on the Move, 1923

Ernst Barlach

A work made of engraving in black on off-white laid paper.

The Virgin on the Crescent with a Diadem, 1514

Albrecht Dürer

A work made of graphite, on ivory wove paper.

La Maison, 1942

Hans Bellmer

A work made of engraving in black on ivory laid paper.

Fortune, c. 1495

Albrecht Dürer

A work made of book containing photogravures (25).

Egypt, c. 1893

R. M. Junghaendel

A work made of etching on paper.

Landscape with a Church and Covered Bridge, 1545

Augustin Hirschvogel

A work made of chromogenic print.

Strümpfe, 2002

Wolfgang Tillmans

A work made of steel.

Elements of Composite Armor, c. 1520 with later additions

A work made of brush and white gouache on black wove paper, tipped on pink wove paper (faded to salmon).

Untitled, 1936

Hans Bellmer

A work made of engraving on paper.

St. Christopher, c. 1475

Martin Schongauer

A work made of daguerreotype.

Untitled, c. 1850

Unknown

A work made of collage composed of pen and brush and black ink, watercolor, and touches of gouache on cut-out sheet music, newspaper and assorted commercially printed papers laid down on cream wove paper.

Propeller-Wind, 1918–19

Robert Michel

A work made of steel, brass, gilding, and wood.

Halberd for the Civic Guard of Cologne, c. 1700

A work made of woodcut in black on tan laid paper.

The Beast with Two Horns like a Lamb, from The Apocalypse, c. 1496–98, published 1511

Albrecht Dürer

A work made of woodcut on cream wove paper.

Kneeling Woman, 1914

Karl Schmidt-Rottluff

A work made of lithograph on paper.

The Saint of the Inner Light, 1921

Paul Klee

A work made of engraving in black on cream laid paper.

The Flagellation, 1465/1503

Israhel van Meckenem, the younger

A work made of drypoint on paper.

Woman Standing before a Corpse, plate four from Death and Resurrection, 1922

Otto Dix

A work made of chromogenic print mounted to acrylic.

The Uffizi I, Florence, 1989

Thomas Struth

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