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A work made of lithograph in black with additions of blue, green, and yellow watercolor on cream laid paper.

Insects, 1919

Paul Klee

A work made of woodcut from four blocks in two shades of blue and two shades of red, with two blocks partially inked in yellow and green, on gray wove paper.

Winter Night in Moonlight, 1918

Ernst Ludwig Kirchner

A work made of steel with gilding, wood, and brass wire.

Hunting Hangar with Calendar Blade, blade dated 1534, hilt late 17th century

A work made of woodcut in black on buff laid paper.

The Angel with the Key of the Bottomless Pit, from The Apocalypse, c. 1496–98; published 1511

Albrecht Dürer

A work made of drypoint on laid ivory paper.

Potiphar's Wife, 1914

Wilhelm Lehmbruck

A work made of gelatin silver print.

Girl with Lute, 1927

August Sander

A work made of lithograph, with watercolor applied with stencils on ivory laid paper.

Destruction and Hope, 1916

Paul Klee

A work made of steel.

Pair of Sleeves of Mail, mid–16th century

A work made of walnut, gilt brass, and silver.

Pair of Wheellock Pistols, 1620/30

A work made of engraving in black on ivory laid paper.

The Lady and Death, 1541

Hans Sebald Beham

A work made of chromogenic print, from an edition of 10 + 1ap.

Lightning II, 2002

Wolfgang Tillmans

A work made of steel.

Backplate with Fauld, 1525/75

A work made of engraving in black on ivory laid paper.

The Sea Monster, c. 1498

Albrecht Dürer

A work made of oil on canvas.

Out My Window, 1930

Hanns Kralik

A work made of transfer lithograph on yellowish-ivory wove paper tipped at top to ivory card.

Two German Infantrymen before the Ruin of a Church, n.d.

Charles Huard

A work made of black ink transfer and black ink spatter, over watercolor, on buff wove card.

Fishing Boats, 1924

Paul Klee

A work made of etching on ivory wove paper.

Cinderella, 1848

Eugen Napoleon Neureuther

A work made of gelatin silver print.

Masked Self-Portrait, 39A, Dessau (Maskenselbstportrait, 39A, Dessau), 1930

Gertrud Arndt

A work made of woodcut in black on ivory laid paper.

The Opening of the Fifth and Sixth Seals, from The Apocalypse, c. 1496–98

Albrecht Dürer

A work made of color lithograph on white wove german etching paper.

Untitled, 1970

Garo Antreasian

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