Curator

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Black print on cream paper of a figure in a dark hood embracing another, smaller figure, who looks pained.

Maiden in the Lap of Death, 1934

Käthe Kollwitz

A work made of gilt copper and horn.

Reliquary Monstrance in the form of a Church, c. 1484

A work made of gelatin silver print.

American-German philosopher Herbert Marcuse, Date unknown

Marc Riboud

A work made of oil, gouache, silkscreen ink, gesso on wood.

Morning, Chapter 30 [German Audience], 2016

R. H. Quaytman

A work made of engraving on cream laid paper.

The Betrayal, n.d.

Israhel van Meckenem, the younger

A work made of colored chalk on cream wove paper.

Two Nudes, 1905

Ernst Ludwig Kirchner

A work made of engraving in black on cream laid paper.

The Temptation of Saint Anthony, 1470–75

Martin Schongauer

A work made of steel and leather.

Mitten Gauntlet for the Right Hand, c. 1540

A work made of brass, iron, leather, silver-gilt thread, silk and linen textile.

Parade Cuirass, c. 1600 -1610

A work made of gelatin silver print.

Opytnoe Pole, Kazakhstan (Nuclear Test Site #32), 2012

Ursula Schulz-Dornburg

A work made of gelatin silver print.

Opytnoe Pole, Kazakhstan (Nuclear Test Site #39), 2012

Ursula Schulz-Dornburg

A work made of gelatin silver print.

Opytnoe Pole, Kazakhstan (Nuclear Test Site #21), 2012

Ursula Schulz-Dornburg

A work made of steel, gilding, and brass.

Morion-Burgonet, 1585

A work made of engraving in black on ivory laid paper.

Coat of Arms with Lion and Rooster, c. 1503

Albrecht Dürer

A work made of oil on canvas.

Townscape (P1) [Stadtbild (P1)], 1968

Gerhard Richter

A work made of engraving in black on cream laid paper.

Aristotle and Phyllis, c. 1500

Master MZ

A work made of linocut in brownish-red ink on paper.

Sitting Man, Arms over his Head, 1977

Georg Baselitz

A work made of engraving on paper.

St. Andrew, from Apostles, n.d.

Martin Schongauer

A work made of engraving in black on ivory laid paper.

Saint George, 1469/82

Martin Schongauer

White and yellow flowers in a green vase sitting on a decorative surface, a blue background in the upper portion of the painting. The brushwork creates a slight blurring effetct.

Still-Life with a Green Flower Vase, c. 1902

Paula Modersohn-Becker

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