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A work made of engraving in black on off-white laid paper.

Hercules at the Crossroads (Jealousy), c. 1498

Albrecht Dürer

A work made of engraving in black on ivory laid paper.

Battle of Eighteen Nude Men, c. 1520

Barthel Beham

A work made of woodcut in black on cream laid paper.

Sleeping Shepherdess, n.d.

Franz Marc

A work made of wood, steel, ebony, ivory, mother-of-pearl, brass, cord, and fiber weave.

Sporting Crossbow, 1600/30

A work made of steel.

Close Helmet, 1510/20

A work made of watercolor on cream japanese paper.

Portrait of Mary Wigman, c. 1920

Emil Nolde

A work made of color lithograph on cream wove paper.

Alice, 1907

Emil Nolde

A work made of wood, sharkskin, and brass.

Sword of Justice, late 17th century

A work made of compressed charcoal on cream laid paper.

Sharpening the Scythe (Biem Dengeln), 1905

Käthe Kollwitz

A work made of lithograph on paper.

The Call of Death, 1934–35

Käthe Kollwitz

A work made of cloth portfolio cover, title page with etching on cream wove paper (by vogeler) and letterpress, and colophon page with letterpress.

Portfolio, title page and colophon for Vom Weyerberg, 1895

Heinrich Vogeler

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Clock, 1727–30

Meissen Porcelain Manufactory

A work made of steel, wood, and leather.

Two-Handed Sword, c. 1600

A work made of lithograph on off-white laid paper.

The Embrace, c. 1923

Karl Hofer

A work made of engraving in black on ivory laid paper.

Madonna with the Monkey, c. 1498

Albrecht Dürer

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

A work made of steel.

Burgonet, c. 1580/90

A work made of lithograph in black with additions of blue, red, and yellow on cream postcard paper.

The Sublime Aspect (Postcard for the Bauhaus Exhibition), 1923

Paul Klee

A work made of drypoint on paper.

Barricade Fighters, plate three from Death and Resurrection, 1922

Otto Dix

A work made of collage composed of cut, torn and pasted papers with printed paper elements.

For Moholy, 1934

Kurt Schwitters

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