Curator

  • Art Institute Chicago
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A work made of gouache, watercolor, graphite, and black and orange crayon, with pen and black ink and brush and brown ink, on ivory laid paper.

Untitled (Saxonian Landscape), 1964

Georg Baselitz

A work made of oil on cotton, on cardboard nailed to wood.

Death in the Garden (Legend), 1919

Paul Klee

A work made of pen and brown ink on paper.

View of The Castello Bracciano, near Rome with Coach and Figures, 1630s

Johann Wilhelm Bauer

A work made of oil on canvas.

The Red House, 1911

Max Pechstein

A work made of steel, bronze, gilding, horn, wood, leather, and silk.

Hunting Cleaver (Waidpraxe) of Ernst August II Konstantin, Duke of Saxe-Weimar-Eisenach, 1755/58

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Conductor for the Monkey Band, c. 1765

Meissen Porcelain Manufactory

A work made of oil and plaster, over gauze, on panel.

Asiatic God, 1924

Paul Klee

A work made of book with 24 etchings, bound in crimson levant with marbled endpapers, outer slip case.

Alphabet, 1627

Lucas Kilian

A work made of drypoint on white laid paper.

Corinth's Son Rowing, palte three from Bei den Corinthern, 1919

Lovis Corinth

A work made of woodcut on ivory laid paper.

The Arms of the Family Kress von Kressenstein, after 1530

Nuremberg School

A work made of acrylic and oil on canvas.

Moeder, 2005

Tomma Abts

A work made of steel.

Sallet, c. 1460

A work made of steel, brass, gilding, and textile.

Zischägge (Helmet), 1620-40

A work made of woodcut in black on ivory laid paper.

Hercules Conquering the Molionide Twins, c. 1496

Albrecht Dürer

A work made of wood, canvas, leather, paint, and gesso.

Hand Pavise, 1470/1500

A work made of chromogenic print.

Physiognomien [2], 1972/73, printed 2008

Jürgen Klauke

A work made of steel.

Close Helmet, c. 1510

A work made of woodcut in black on ivory laid paper.

The Annunciation, from The Life of the Virgin, c. 1503, published 1511

Albrecht Dürer

A work made of black chalk and brush and gray wash, heightened with touches of white gouache, over traces of charcoal, on cream laid paper.

Salomé, 1605/10

Hans von Aachen

A work made of steel and leather.

Close Helmet for the Tourney, 1600/10

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