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A work made of cotton, plain weave; copperplate printed.

Outdoor Sports and Pastimes (Furnishing Fabric), c. 1790

Francis Hayman

A work made of etching and drypoint on ivory laid paper.

Breaking Up of the Agamemnon, No. I, 1870

Francis Seymour Haden

A work made of etching and drypoint on ivory laid paper.

The Three Sisters, c. 1868

Francis Seymour Haden

A work made of brass.

One of a Pair of Andirons, c. 1900

Charles Francis Annesley Voysey

A work made of lithograph from one stone on ivory wove paper.

Stone Cloud, 1963

Sam Francis

A work made of black chalk, heightened with white chalk, on brown laid paper.

Saint Francis of Assisi, n.d.

Unknown artist

A work made of drypoint on ivory laid paper.

The Little Boat-House, 1877

Francis Seymour Haden

A work made of etching on cream japanese paper.

Kensington Gardens, No. I (small plate), 1859

Francis Seymour Haden

A work made of etching and drypoint on white wove paper.

A Lord from the Time of Francis I, 1833

Eugène Delacroix

A work made of albumen print.

Interior of the Hall of Columns, 1857, printed 1862

Francis Frith

A work made of lithograph from one stone on ivory wove paper.

Dark Egg, 1963

Sam Francis

A work made of drypoint with etching on ivory japanese paper.

Thames Fishermen, No. I, 1859

Francis Seymour Haden

A work made of etching and drypoint on ivory japanese paper.

Old Chelsea Church, 1865

Francis Seymour Haden

A work made of etching and mezzotint on ivory wove paper.

A Salmon River, No. II, 1884

Francis Seymour Haden

A work made of various.

Galleria South, Houston, Texas, Working Drawings, 1977-1978

Bertrand Goldberg

A work made of drypoint on copper printed on cream laid paper.

Wareham Bridge, 1877

Francis Seymour Haden

A work made of etching with drypoint on copper on ivory laid paper.

The Island Opposite Boyle's Farm, 1869

Francis Seymour Haden

A work made of etching with drypoint on cream laid paper.

Encombe Woods, No. II, 1882

Francis Seymour Haden

A work made of drypoint on copper printed on ivory laid paper.

Windmill Hill, No. I, 1877

Francis Seymour Haden

A work made of etching, with drypoint and plate tone, in black on off-white wove paper.

Untitled, 1966

Francis Piatek

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