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A work made of variable media.

Galleria South Houston, 1977/78

Bertrand Goldberg

A work made of etching on ivory laid paper.

Thames Ditton-with a Sail, 1864

Francis Seymour Haden

A work made of watercolor and gouache, with graphite, on blue laid paper, laid down on ivory wood-pulp laminate board.

Flower Market (recto); Sketch of City (verso), 1858/1915

Francis Hopkinson Smith

A work made of etching with drypoint on ivory laid paper.

Hands Folded, 1865

Francis Seymour Haden

A work made of clear and opaque white and red glass in copper cames; framed in walnut finish natural wood frames.

Little, Francis W., House: Billiard Room Bay Windows, 1912/14

Frank Lloyd Wright

A work made of woodcut with hand-coloring on cream laid paper.

St. Francis Xavier, Apostle of the Indies, late 18th or early 19th century

Jean-Charles Pellerin

A work made of silk, plain weave; underlaid with linen, plain weave; embroidered with silk and silk chenille in back, satin, split and stem stitches; laid work and couching; french knots; painted.

Picture (Depicting St. Francis), 1800/10

A work made of albumen print, pl. 22 from the album "egypt and palestine, volume i" (1858).

Damascus, 1857

Francis Frith

A work made of silver.

Tea and Coffee Service, 1840–51

Francis W. Cooper

A work made of etching and drypoint on cream wove paper.

A Lancashire River, 1881

Francis Seymour Haden

A work made of etching on ivory japanese paper.

La belle anglaise, 1864

Francis Seymour Haden

A work made of oil on canvas.

Kitchen Scene, 1618–20

Diego Velázquez

A work made of albumen print, pl. 33 from the album "egypt and palestine, volume i" (1858).

Jerusalem from the Wall of En-Rogel, 1857

Francis Frith

A work made of etching and drypoint on cream laid paper.

A Sunset in Ireland, 1863

Francis Seymour Haden

A work made of etching and drypoint on zinc printed on cream laid paper.

Horsley's House at Willesley, 1865

Francis Seymour Haden

A work made of pen and brown ink, with traces of brush and brown wash, on tan laid paper, laid down on cream laid paper.

Study for Saint Francis Receiving the Stigmata, 1632/34

Guercino

A work made of etching with drypoint on ivory laid paper.

Shere Mill Pond, No. II (large plate), c. 1860

Francis Seymour Haden

A work made of etching with drypoint on ivory laid paper.

Battersea Reach, 1863

Francis Seymour Haden

A work made of etching and drypoint on buff japanese paper.

The Father's Grave, plate 20 from Mein Leben, 1922, published 1923

Marc Chagall

A work made of albumen print, pl. 4 from the album "egypt and palestine, volume ii" (1858/60).

The Mosque of Omar, Jerusalem, 1857

Francis Frith

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