Curator

  • Art Institute Chicago
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  • My Exhibition
A work made of pen and brush and black ink on cream wove paper, laid down on cream card.

Figures with Boat, 1929

Eugene Berman

A work made of soft-paste porcelain with polychrome enamels and gilding.

Allegorical Figure of Asia, 1770/80

Derby Porcelain Manufactory

A work made of oil on canvas.

Judith with the Head of Holofernes, c. 1665

Felice Ficherelli

A work made of gelatin silver print, brown-toned.

La Curios, c. 1915

Clarence H. White

Standing Figure

Standing Figure, Han dynasty (206 B.C.–A.D. 220)

A work made of terracotta, black-figure.

Kylix (Drinking Cup), 560-550 BCE

Ancient Greek

A work made of bronze.

The Lecturer (Le lecteur), Modeled probably after 1860, cast 1930s/1960s

Style of Honoré Victorin Daumier

A work made of ceramic and pigment.

Figure of a Seated Dog, 1–300 CE

Colima

A work made of ceramic with burnished slip.

Cup with Profile Head of the Maize God, 800–400 BCE

Olmec

A work made of etching on white wove paper.

Figures in the Studio, 1968

Alberto Giacometti

A work made of gelatin silver print.

Georgia O'Keeffe, 1933

Alfred Stieglitz

A work made of wood, glass beads, cowrie shells, pigment, and string.

Twin Commemorative Figure (Ere Ibeji), Early/mid–20th century

Yoruba

A work made of marble.

Head (one of a pair), 1700/1800

Italian

A work made of oil on canvas.

Alexander at the Tomb of Cyrus the Great, 1796

Pierre Henri de Valenciennes

A work made of bronze.

Amazon: Mme. L. Riding Monte Cristo, Pure-Bred English Horse, 1865

Pierre-Jules Mêne

A work made of oil on canvas.

The Maid, c. 1875

François Bonvin

A work made of oil on canvas.

Monte Pincio, Rome, 1840–50

Jean Baptiste Camille Corot

A work made of black chalk on tan wove paper laid down on cream wove paper.

Standing Figure, 1848/52

Jean François Millet

A work made of bronze.

The Visitor (Le visiteur), Modeled probably after 1860, cast around February 1956

Style of Honoré Victorin Daumier

A work made of pen and brown ink on tan laid paper, edge-mounted to cream wove paper; framing lines in pen and brown ink on all four sides.

Standing Figure Leaning on a Staff, c. 1510

Piero di Cosimo

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