Curator

  • Art Institute Chicago
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Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Fishing in Spring, the Pont de Clichy (Asnières), 1887

Vincent van Gogh

A work made of black crayon (recto and verso) on blue wove paper.

Sketch of Nude Woman Having Her Hair Groomed and Groups of Figures (recto); Sketches of Riding Figure and Nude Figures (verso), 1847/75

Jean Baptiste Carpeaux

A work made of gelatin silver print.

Campden Hill, London, 1953

Bill Brandt

Standing Figure

Standing Figure, Han dynasty (206 B.C.–A.D. 220)

A work made of graphite on tan wove paper.

Study of the Figure of Agnello Brunelleschi, c. 1826

William Blake

A work made of black and red chalk, with stumping, with touches of white lead (partially discolored) (recto) and black chalk, with touches of red chalk (verso), on cream laid paper prepared with pale brown wash.

A Nude Female Figure Fleeing to the Right with Arms Outstretched, with Sketch of a Bust of Secondary Figure (recto); A Sketch of a Nude, Kneeling Female Figure, Supported by Another Standing (verso), c. 1600 (recto); 1598/99 (verso)

Hendrick Goltzius

A work made of graphite on cream laid paper.

Study of a Nude Figure and a Faun, n.d.

Pierre Andrieu

A work made of gelatin silver print with applied india ink or watercolor.

Degree of Ossification of a Five-Month-Old Fetus (Degré d'ossification d'un Foetus de cinq mois), 1898

A work made of pen and black ink on white wove paper.

Two Nude Figures, n.d.

Mary Frank

A work made of cotton, plain weave; screen printed.

Herb Antony (Furnishing Fabric), 1954

Lucienne Day

A work made of pen and brown ink on buff laid paper, squared in graphite, laid down on ivory laid paper.

Ruins of Roman Forum, with Figures, c. 1550

Giovanni Battista Pittoni, the elder

A work made of gelatin silver print.

Dorothy True, 1919

Alfred Stieglitz

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights. In the background, tall grey archways, a steepled building, and city architecture.

The Feast in the House of Simon, c. 1608–14

El Greco (Doménikos Theotokópoulos) and workshop

A work made of oil on canvas.

Courtyard, c. 1855

Alexandre Gabriel Decamps

A work made of bronze.

Man in a Tall Hat (Tete d'homme en chapeau haut de forme), Modeled possibly 1830s, cast 1944–50

Honoré-Victorin Daumier

A work made of oil on canvas.

Italian Landscape with Travelers, c. 1650

Jan Both

A work made of gelatin silver print.

Nude Bent Forward, Paris, c. 1930

Lee Miller

A work made of graphite on brown wove paper.

Figure Studies, 1895/1900

John Marin

A work made of glass beads, cloth, and thread.

Slippers (Bata Ileke), Late 19th/early 20th century

Yoruba

A work made of wood and pigment.

Standing Female Figure, 19th/early 20th century

Lega

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