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A work made of cotton, plain weave; painted.

Panel, A.D. 1000/1476

Chancay

A work made of phyllite.

Standing Bodhisattva with Human-Figure Necklace, Kushan period, 2nd/3rd century

A work made of oil on canvas.

October Day, 1890–93

Jean Charles Cazin

A work made of ceramic and pigment.

Standing Male Figure, 650–800

Maya

A work made of wood, chalk, and pigment.

Male Figure, Early-mid 20th century

Ijo

Abstracted figure in brown, painted to almost appear like wood texture on a black background.

Male-Female Figure and the Pomegranate, 1966-68

Ibrahim El-Salahi

A work made of tempera on panel.

The Crucifixion, c. 1370

Francescuccio Ghissi

A work made of oil paint and gouache, with pen and brush and brown ink on tan wove paper.

Figures in a Park, n.d.

Charles Georges Dufresne

A work made of etching with drypoint on ivory laid paper.

A warrior sits on a block and gestures; two figure are behind him, from Figurine series, n.d.

Salvator Rosa

A work made of terracotta and polychrome.

Madonna and Child, 1600/1700

Alessandro Algardi

A work made of silver.

Stater (Coin) Depicting Pegasus, 350-338 BCE

Ancient Greek

A work made of wood and sacrificial material.

Equestrian Figure, 16th/19th century

Dogon

A work made of bronze.

Jean-Auguste Chevandier de Valdrome, Modeled c. 1832/35, cast 1929/40

Honoré-Victorin Daumier

A work made of wool (camelid), plain weave; embroidered in stem stitches; edged with cross-knit loop stitches; loop and plied fringes.

Poncho Displaying Contorted Figures, c. 200-150 BCE

Paracas

A work made of oil on board.

Figure in Pink and Yellow, 1914

Manierre Dawson

A work made of oil on card.

The Imperial Palace on the Palatine, Rome, 1834

Paul Flandrin

A square-shape textile with a dual multicolor border features a painted five-by-four grid of images with the repeated face of a Black woman with short hair, Bessie Smith. Her face appears blue in each instance, while the outline of her facial features, her hair, and clothing alternate colors in varying shades of yellow and orange. The background of each square likewise alternates between shades of blue and green, some with an influx of red.

American Collection #5: Bessie's Blues, January 19, 1997

Faith Ringgold

A dark-brown painted sculpture with hints of orange showing through of a slim face with a long neck. The lips are drawn in a pout, the cheeks sunken, the hair pulled back in a swirl pattern and falling down in a slim column.

Head, Mid–late 19th century

Fang

A work made of oil on panel.

Fête d'Après-Midi, c. 1880

Adolphe Joseph Thomas Monticelli

A work made of bronze.

Jean-Marie Fruchard, Modeled c. 1832/35, cast 1929/30

Honoré-Victorin Daumier

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