Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and brush and black ink, over graphite, on white wove paper.

Composition with Figures, 1935

Joan Miró

A work made of oil on panel.

Assumption of the Virgin, 16th century

Marcellus Coffermans

A work made of oil on canvas.

The Movings, 1822

Louis-Léopold Boilly

A work made of oil on canvas.

Still Life, Clown, 1930

Pavel Tchelitchew

Large rectangle of fabric, geometric shapes depicting ship and people, in red, blue and yellow.

Ceremonial Hanging (palepai), 19th century

Paminggir

A work made of color lithograph on white wove paper.

Figure Composition, 1942

Fernand Léger

A work made of wood and metal.

Female Figure, Early 20th century

Nyamwezi

A work made of wood, leather, and sacrificial material.

Figural Container, Late 19th-early 20th century

Zigua

A work made of bronze.

Alexandre-Simon Pataille, Modeled c. 1832/35, cast 1929/30

Honoré-Victorin Daumier

A work made of bronze and silver inlay.

Statuette of an Enthroned Figure, 1st century

Ancient Roman

A work made of etching and aquatint on white wove paper.

Figure, 1950

Max Ernst

A work made of phyllite.

Standing Bodhisattva with Human-Figure Necklace, Kushan period, 2nd/3rd century

A work made of silver.

Pietà, 1700/25

German

A work made of gelatin silver print.

Georgia O'Keeffe—Torso, 1918

Alfred Stieglitz

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.

The Watermill with the Great Red Roof, c. 1665

Meindert Hobbema

A work made of bronze.

Antoine-Maurice-Apollinaire, comte d'Argout, Modeled c. 1832/35, cast 1929/50

Honoré-Victorin Daumier

A work made of oil on panel.

A Witches' Sabbath, c. 1650

Cornelis Saftleven

A work made of ceramic and pigment.

Standing Male Figure, 650–800

Maya

A work made of wood, chalk, and pigment.

Male Figure, Early-mid 20th century

Ijo

A work made of etching with drypoint on ivory laid paper.

A warrior sits on a block and gestures; two figure are behind him, from Figurine series, n.d.

Salvator Rosa

<<<15161718 >>>