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A work made of color woodblock print; oban.

Shirayu of the Wakanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1778/80

Isoda Koryusai

A work made of color woodblock print; chuban.

The Sixth Month (Kazemachizuki), from the series "Fashionable Monthly Visits to Sacred Places in the Four Seasons (Furyu shiki no tsuki mode)", c. 1784

Torii Kiyonaga

A work made of color woodblock print; koban.

"Ho": Yatsuhashi Bridge in Mikawa Province, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of linen, needle lace.

Flounce, 1701/25

A work made of color woodblock print; hosoban.

Ono no Komachi at Seki Temple (Seki), from the series The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi), Edo period (1615–1868), 1751/64

Suzuki Harunobu

A work made of color woodblock print; oban.

Calligraphy, from the series "Fashionable Versions of the Four Accomplishments (Furyu kinkishoga)", c. 1776/81

Isoda Koryusai

A work made of color woodblock print; koban.

"Ho": Yatsuhashi Bridge in Mikawa Province, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of cotton, wool, and horn or plastic buttons.

Coat from the HAND ON HEART Collection, Autumn/Winter, 2011–12

Walter Van Beirendonck

A work made of color woodblock print; koban.

"Ni": Akutagawa, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of color woodblock print; oban.

Tamazusa of Iedaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

Isoda Koryusai

A work made of silk, wool and cotton, warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings and 1:3 and 2:2 'z' twill interlacings; attached side borders: warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; attached ends and fringe of wool, weft-float faced 1:2 'z' twill weave; main warp fringe; woven on loom with jacquard attachment.

Long Shawl, 1810-25

A work made of cotton, machine-made twist net; embroidered with cotton in back, eyelet, overcast, padded satin and twined double running stitches; trimmed with silk-wrapped-cotton cord; edged with cotton, plain weave and linen, bobbin straight lace; pleated; starched; ribbons of silk, warp-float faced 4:1 satin weave.

Cap (Peasant Work), 1875/1900

A work made of cotton, plain weave; embroidered in silk, floss in satin, long and short, stem and line stitches; flowers on white ground.

Panel from a Skirt, 1820/30

A work made of color woodblock print; koban.

"No," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", c. 1772/73

Katsukawa Shunsho

A work made of color woodblock print; oban.

Koharu and Jihei, from the series "Fashionable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)", c. 1798/99

Kitagawa Utamaro

A work made of color woodblock prints; oban triptych.

Wakana, Part 1 (Wakana, jo), from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94

Chôbunsai Eishi

A work made of gelatin silver print.

Untitled, 1965/85

Roland Freeman

A work made of color woodblock print; chuban yoko-e.

The Evening Mistress at Ueno (Ueno no bansho), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1769

Suzuki Harunobu

A work made of ink and gouache on tracing paper.

Fashion Design, 1920s/30s

A work made of color woodblock print; chuban.

Clearing Weather at Asakusa (Asakusa no seiran), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Suzuki Harunobu

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