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A work made of four etchings in black on ivory laid paper, folded.

Plates 9-11, from Nella Venuta, 1764

Franz Edmund Weirotter

A work made of albumen print, plate 20 from the album "photographic views of the sherman campaign" (1866).

Battle Ground of Resacca, GA, No. 2, 1866

George N. Barnard

A work made of photogravure, plate 20 from the book "the old closes & streets of glasgow" (1900).

Gallowgate, 1868

Thomas Annan

A work made of woodcut in black with hand-colored additions, and letterpress in black with rubrication, (recto and verso), on cream laid paper, tipped onto cream wove paper mat.

The Martyrdom of Saint Lucy from Heiligenleben, Sommerteil (Lives of the Saints, Summertime), Plate 20 from Woodcuts from Books of the 15th Century, 1488, portfolio assembled 1929

Unknown artist

A work made of silk, plain weave self-patterned by areas of complex gauze weave (ra); discharge dye extracted (basson) and painted with sumi ink (india); collar faced with silk, plain weave self-patterned with gauze crossings (yoko-ro).

Hitoe, Meiji period (1868–1912)/ Taishô period (1912–1926), c. 1900/20

A work made of glazed steatite.

Scarab: The God Ptah with Ma’at Feather and Djed-Pillar, New Kingdom, Ramesside Period, Dynasties 19–20 (about 1295-1069 BCE)

Ancient Egyptian

A work made of gelatin silver print.

Dead to the World, c. 1900, printed 1920/20

Arnold Genthe

A work made of glazed steatite.

Scarab: Cobra, New Kingdom, Ramesside Period, Dynasties 19–20 (about 1295–1096 BCE)

Ancient Egyptian

A work made of glass.

Scarab: Two Standing Deities, New Kingdom, Dynasties 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of faience.

Amulet of an Axe Blade, New Kingdom, Dynasty 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of faience.

Amulet of the Goddess Tawaret (Thoeris), New Kingdom, Dynasties 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of chromogenic print, no. 20 from the portfolio "a catalogue of superobjects-supercomfort for superpeople" (1976).

Ovyorly, 1976

Vitaly Komar

A work made of transfer lithograph on cream wove paper.

Morning Quiet, 1919–20

Arthur B. Davies

A work made of soft ground etching and aquatint on cream laid paper.

By the Calaban, 1919–20

Arthur B. Davies

A work made of lithograph, with lithotint, on zinc on ivory wove paper.

Free of Clouds, 1919–20

Arthur B. Davies

A work made of lithograph, with lithotint, on zinc on ivory wove paper.

Ships, 1919–20

Arthur B. Davies

A work made of lithograph, with lithotint, on zinc on cream card.

Release at the Gates, 1919–20

Arthur B. Davies

A work made of silk and gilt-metal-strip-wrapped silk, warp-stripe 4:1 satin weave with supplementary patterning wefts and supplementary brocading wefts and self-patterned by reversing of faces.

Panel (Dress Fabric), 1718/20

Earthenware vase with three openings for flowers decorated with white stippled leaf pattern on a silver background.

Flower Vase, 1810/20

Earthenware pitcher with silver ground decorated with white leaves and ivy. Central circle medallion contains multi-colored depiction of a bird on a tree branch.

Pitcher, 1810/20

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