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A work made of wool and silk, slit and double interlocking tapestry weave warp; count; 8 warps per cm; wool; s-ply of four z-spun elements; diameter: 1.0 mm weft: count: varies from 20 to 36 wefts per cm; wool: single s-spun elements; s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; paired yarns of single s-spun elements and s-ply of two z-spun elements; three yarns of s-ply of two z-spun elements; diameters: 0.35–1.0 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.7–0.9 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; paired yarns of s-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–0.85 mm.

October, 1525/50

Circle of Bernard van Orley

A work made of steatite.

Scarab: Animal Motifs (Bird, Antelope, Hippopotamus), New Kingdom, Dynasties 19–20 (about 1295–1069 BCE)

Ancient Egyptian

A work made of faience.

Scaraboid: Thoth as a Baboon with Lunar Crescent, New Kingdom, Dynasties 19–20 (about 1295–1069 BCE)

Ancient Egyptian

A work made of steatite.

Plaque: Two Baboons Back to Back/Cartouches, New Kingdom?, Dynasties 18–20 (1550–1069 BCE)

Ancient Egyptian

A work made of glazed steatite.

Scarabs with Inscriptions on Base, Early Middle Kingdom–New Kingdom, Dynasties 11–20 (about 2055–1069 BCE)

Ancient Egyptian

A work made of etching in black on ivory laid paper.

Plate from, Nella Venuta, 1764

Franz Edmund Weirotter

A work made of etching in black on ivory laid paper.

Plate from, Nella Venuta, 1764

Franz Edmund Weirotter

A work made of etching in black on ivory laid paper.

Plate from, Nella Venuta, 1764

Franz Edmund Weirotter

A work made of four etchings in black on ivory laid paper, folded.

Plates 9-11, from Nella Venuta, 1764

Franz Edmund Weirotter

A work made of albumen print, plate 20 from the album "photographic views of the sherman campaign" (1866).

Battle Ground of Resacca, GA, No. 2, 1866

George N. Barnard

A work made of photogravure, plate 20 from the book "the old closes & streets of glasgow" (1900).

Gallowgate, 1868

Thomas Annan

A work made of woodcut in black with hand-colored additions, and letterpress in black with rubrication, (recto and verso), on cream laid paper, tipped onto cream wove paper mat.

The Martyrdom of Saint Lucy from Heiligenleben, Sommerteil (Lives of the Saints, Summertime), Plate 20 from Woodcuts from Books of the 15th Century, 1488, portfolio assembled 1929

Unknown artist

A work made of silk, plain weave self-patterned by areas of complex gauze weave (ra); discharge dye extracted (basson) and painted with sumi ink (india); collar faced with silk, plain weave self-patterned with gauze crossings (yoko-ro).

Hitoe, Meiji period (1868–1912)/ Taishô period (1912–1926), c. 1900/20

A work made of glazed steatite.

Scarab: The God Ptah with Ma’at Feather and Djed-Pillar, New Kingdom, Ramesside Period, Dynasties 19–20 (about 1295-1069 BCE)

Ancient Egyptian

A work made of gelatin silver print.

Dead to the World, c. 1900, printed 1920/20

Arnold Genthe

A work made of glazed steatite.

Scarab: Cobra, New Kingdom, Ramesside Period, Dynasties 19–20 (about 1295–1096 BCE)

Ancient Egyptian

A work made of glass.

Scarab: Two Standing Deities, New Kingdom, Dynasties 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of faience.

Amulet of an Axe Blade, New Kingdom, Dynasty 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of faience.

Amulet of the Goddess Tawaret (Thoeris), New Kingdom, Dynasties 18–20 (about 1550–1069 BCE)

Ancient Egyptian

A work made of chromogenic print, no. 20 from the portfolio "a catalogue of superobjects-supercomfort for superpeople" (1976).

Ovyorly, 1976

Vitaly Komar

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