Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–1.0 mm weft: count: varies from 24 to 40 wefts per cm; wool: s-ply of two z-spun elements; three yarns of s-ply of two z-spun elements; diameters: 0.5–1.0 mm; silk: z-ply of two yarns of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted elements; diameters: 0.6–0.9 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–0.7 mm.

Village Fete (Saint George's Fair) from a Teniers series, c. 1710

Workshop of Gaspard (Jasper) van der Borcht

A work made of salted paper print.

Portrait of La Fontaine, c. 1854–1860

Nadar (Gaspard Félix Tournachon)

A work made of etching on off-white laid paper, tipped to album sheet.

The Death of St. Jerome, 1764

Étienne de Lavallée-Poussin

A work made of charcoal, heightened with white chalk, on tan wove paper, laid down on ivory wove paper.

Caricature of a Man, 1859

Etienne Carjat

A work made of various.

House Studies 1919-1920, Design Drawings, 1919–1920

Bruce Goff

Snow Mass Interfaith Chapel, Snow Mass, Colorado, Design Sketches and Drawings

Snow Mass Interfaith Chapel, Snow Mass, Colorado, Design Sketches and Drawings, 1982

Harry Weese Associates

The Compleat Angler or the Contemplative Man's Recreation, Volume I

The Compleat Angler or the Contemplative Man's Recreation, Volume I, 1880s

Peter Henry Emerson

Building for Brussels

Building for Brussels, 2010–2012

Project Projects

A work made of wood engraving on cream japanese paper.

The Paintings Exhibition of 1868: Giving it the last touch, 1868, printed 1920

Etienne Carjat

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1878), volume 6.

Arsène Houssaye, c. 1876

Etienne Carjat

A work made of bent tubular chromium-plated steel, with banded and sewn dark green leather spanning seat and back.

MR 20 Armchair, Designed and manufactured 1926/27

Ludwig Mies van der Rohe

A work made of cotton, plain weave; engraved roller printed.

The Seasons and the Ages of Man (Furnishing Fabric), 1827/40

Frédéric Etienne Joseph Feldtrappe

A work made of color lithograph on white wove paper.

St Etienne du Mont and the Pantheon, Paris, plate 20 from Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, Etc., 1839

Thomas Shotter Boys

A work made of etching and engraving in black on buff laid paper (discolored to tan), tipped onto ivory wove paper.

Madame Pierre Lullin-Fatio, 1763, after a drawing dated April 1762

Jean Etienne Liotard

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 4.

Louis Figuier, 1853/77

Nadar (Gaspard Félix Tournachon)

Photograph of a light-skinned adolescent girl with straight, shoulder-length brown hair, arms at her sides. She wears a black, one-piece swimsuit and stands on a beach, looking away from the water and directly into the camera. A small wave crashes into the beach behind her, beneath a gray sky.

"Coney Island, N.Y., U.S.A, June 20, 1993," from Beach Portraits, 1993

Rineke Dijkstra

A work made of brush and brown and black ink washes, over pen and black ink and traces of black chalk, with opaque white paint, on cut and pieced cream laid paper.

Brutus Exhorting the Romans after the Death of Lucretia, c. 1790

Etienne Barthélemy Garnier

A work made of color lithograph on paper.

St. Etienne du Mont and the Pantheon, Paris, 1839

Thomas Shotter Boys

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 2.

François Coppée (French poet and novelist, 1842-1908), c. 1876

Nadar (Gaspard Félix Tournachon)

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 1.

F. de Lesseps, c. 1876

Nadar (Gaspard Félix Tournachon)

<<<5678 >>>