Curator

  • Art Institute Chicago
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A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1876), volume 3.

Jules Simon, c. 1876

Etienne Carjat

A work made of engraving on paper.

Combats and Triumphs, 1550/1572

Étienne Delaune

A work made of blue ballpoint pen, watercolor, and varnish on tan wove paper.

Back Where I, Were Born. 2/20-1888 AD;, 1965

Joseph Yoakum

A work made of brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper.

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, 1812/20

Francisco José de Goya y Lucientes

A work made of graphite on tan wove paper.

Caricature of Mario Uchard, c. 1858

Claude Monet

A work made of walnut and steel.

Pair of Breechloading Percussion Rifled Dueling Pistols, c. 1850

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 2.

Jean-Baptiste Alphonse Karr (French critic, journalist, and novelist, 1808-1890), c. 1876

Antoine Samuel Adam-Salomon

A work made of color woodblock print; edition 7/20.

Dome in Vienna (Uin no domu), 1961

Ono Tadashige

A work made of black chalk, heightened with white chalk and lead white, partially oxidized, over stylus underdrawing, on cream laid paper.

Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, 1518/20

Raphael

A work made of lithograph in black on white wove paper.

"Is this your dog here?," plate 20 from Tout Ce Qu'on Voudra, November 4, 1847

Honoré-Victorin Daumier

A work made of etching in black on ivory laid japanese vellum.

Eventail de Madame Mallarmé, plate 20 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of lithograph in black on ivory wove paper.

Public Rejoicing, n.d.

Charles Étienne Pierre Motte

A work made of lithograph in black on cream wove paper.

Making Sailors: Duff, plate 20 from The Great War: Britain's Efforts and Ideals, 1917

Frank Brangwyn

A work made of soft ground etching, with aquatint, on ivory wove paper.

Tartessians, 1919–20

Arthur B. Davies

A work made of oil on panel transferred to canvas.

King Solomon Receiving the Queen of Sheba, 1515–20

Master of the Antwerp Adoration Group

A recumbent, full-figured nude rendered in pink and gray geometric shapes, her hands above her head, on a gray and blue ground, a brown tree with sparse needles behind her.

Nude under a Pine Tree, January 20, 1959

Pablo Picasso

A work made of engraving on paper.

Apollo, plate 20 from Apollo and the Muses, c. 1465

Master of the E-Series Tarocchi

A work made of oil on panel.

Aeneas Rescuing Anchises from Burning Troy, 1605/20

Hendrick van Steenwijck, the Younger

A work made of oil on panel.

Landscape with Tournament and Hunters, 1519–20

Jan van Scorel

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 4.

Octave Feuillet (French novelist and playwright, 1821-1890), 1876/84

Antoine Samuel Adam-Salomon

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