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A work made of graphite heightened with watercolor and touches of white gouache on gray wove paper.

Shepherdess, 1810/20

Richard Westall

A work made of walnut, steel, silver, and baleen.

Percussion Fowling Piece, 1810/20

Berthon-Perrin

A work made of engraving on paper.

Triumphal March, from Combats and Triumphs, 1550/1572

Étienne Delaune

A work made of engraving on ivory laid paper.

Death of Abel, n.d.

Étienne Delaune

A work made of engraving on ivory laid paper.

The Flood, n.d.

Étienne Delaune

A work made of engraving on ivory laid paper.

Lot, n.d.

Étienne Delaune

A work made of engraving on paper.

Combats and Triumphs, 1550/1572

Étienne Delaune

A work made of engraving on paper.

Combats and Triumphs, 1550/1572

Étienne Delaune

A work made of etching on paper.

The Bathers, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of ink on linen.

Tree Study Number Eight: Eucalyptus Tree, 1919/20

Marion Mahony Griffin

A work made of albumen print.

Untitled, Street Corner (60 Rue Beaubourg), 1910/20

Jean-Eugène-Auguste Atget

A work made of lithograph in black on tan china paper, laid down on ivory wove paper.

Mme. Ledieu, c. 1820

Jean-Baptiste Isabey

A work made of graphite on linen.

860–880 North Lake Shore Drive, First and Mezzanine Floor Elevations, 1/20/1950

Ludwig Mies van der Rohe

A work made of bone, staghorn, limewood, birchbark, rawhide, leather, and iron.

Saddle, 1400-20

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching in black on ivory laid paper.

Plate from, Nella Venuta, 1764

Franz Edmund Weirotter

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of gelatin silver print, no. 20 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Enseigne d'un Marchand de Chevaux, 1842/50, printed 1965

Hippolyte Bayard

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