Curator

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A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of graphite on linen.

860–880 North Lake Shore Drive, Exterior Details, 1/20/1950

Ludwig Mies van der Rohe

A work made of steel and silver.

Rapier, 1610-20

A work made of steel and textile.

Mitten Gauntlet for the Left Hand, c. 1510/20

A work made of gelatin silver print.

Max Ernst & Dorothea Tanning, New York, March 20, 1947, printed 1983

Irving Penn

A work made of steel.

Combination Primer-Spanner-Ramrod, 1600/20

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled (3/20/35), March 20, 1935

Unknown Maker

A work made of gelatin silver print.

Light Calligram II (20), 1993

Joan Fontcuberta

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of offset lithograph in black (recto); offset lithograph in black, with red and black ink stamps, typeset label in purple, and postage stamp (verso) on cream wove paper.

Art & Project, Bulletin 20, Jan. 1970

Gilbert & George

A work made of lithograph in black on ivory china paper laid down on ivory wove paper.

Repair of a Ship at Low Tide, plate four from Six Marines, 1833

Eugène Isabey

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1877), volume 2.

Jules Janin, 1875/77

Bertall

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

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