Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis); silk and metal-strip-wrapped silk, bobbin lace.

Man's Kain Kaligrafi (Head Scarf), 20th century

A work made of dye imbibition print.

Boylston Burying Ground, 1955

Daniel Farber

Panorama, 1983–86

Panorama, 1983–86, 1983/86

Lucas Samaras

A work made of cotton, warp and weft resist dyed (warp and weft ikat) plain weave, main warp fringe.

Ceremonial Cloth (geringsing wayang kebo), 20th century

A work made of internal dye diffusion transfer print, mounted on acrylic.

Nesting #3, 2000

Maria Magdalena Campos-Pons

A work made of internal dye diffusion transfer print, mounted on acrylic.

Nesting #3, 2000

Maria Magdalena Campos-Pons

A work made of silk, plain weave; resist dyed and stencilled with glue and impressed gold leaf.

Child's Kosode, 1901/25, Taishô period (1912–1926)

A work made of cotton and silk, warp-faced plain weave; embroidered with gilt-metal-strip-wrapped cotton in laidwork and couching.

Ceremonial Skirt (tapis), 20th century

Abung

A work made of internal dye diffusion transfer print.

Tennessee, 1979

Kenneth Josephson

A work made of dye imbibition print.

Passengers on the "Barbara Lee", 1970

Daniel Farber

A work made of dye imbibition print.

Dead Yellow Warbler, 1978

Eliot Porter

A work made of internal dye diffusion transfer print.

Mary Jean Mitchell Green, November 1976

Andy Warhol

A work made of wool, three-colored complementary weft, weft-float faced 3:1 twill weave; lined with linen, plain weave; two panels pieced.

Peacock and Dragon, Design 1878

William Morris

A work made of silver dye-bleach print on display film, from the portfolio "artists and photographs" (1975).

Makeup Department, 1975

Ed Ruscha

A work made of dye imbibition print, no. 2 from the portfolio "katsura" (1996).

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right, 1980

Yasuhiro Ishimoto

A work made of dye imbibition print.

Greece, 1975

Charles Pratt

A work made of silk, plain weave with creped weft (chirimen); resist dyed (yuzen-zome); stamped gold and silver leaf over adhesive (inkin); embroidered with silk, rayon and gold-leaf-over-adhesive-on-paper-strip-wrapped rayon, rayon padded satin stitches; lined with silk, plain weave.

Furisode, Taisho period (1912–26), c. 1920

A work made of silk, warp and weft resist-dyed (kasuri), plain weave.

Kimono (Kosode), Taishô period (1912–1926)/ Shôwa period (1926–1989), c. 1925

A work made of silver dye-bleach print.

Untitled, n.d.

Lynette Molnar

A work made of silver dye-bleach print, from the portfolio "recto/verso" (1989).

Recto/Verso #4, 1988

Robert Heinecken

<<<11121314 >>>