Results for Dye%20imbibition%20prints

A work made of internal dye diffusion transfer print.

Untitled, 1967

Marie Cosindas

Panorama, 1983–86, 1983/86

Lucas Samaras

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis); silk and metal-strip-wrapped silk, bobbin lace.

Man's Kain Kaligrafi (Head Scarf), 20th century

A work made of internal dye diffusion transfer print, mounted on acrylic.

Nesting #3, 2000

Maria Magdalena Campos-Pons

Nesting #3, 2000

Maria Magdalena Campos-Pons

A work made of cotton, warp and weft resist dyed (warp and weft ikat) plain weave, main warp fringe.

Ceremonial Cloth (geringsing wayang kebo), 20th century

Dead Yellow Warbler, 1978

Eliot Porter

Passengers on the "Barbara Lee", 1970

Daniel Farber

A work made of silk, plain weave; resist dyed and stencilled with glue and impressed gold leaf.

Child's Kosode, 1901/25, Taishô period (1912–1926)

Tennessee, 1979

Kenneth Josephson

A work made of silver dye-bleach print on display film, from the portfolio "artists and photographs" (1975).

Makeup Department, 1975

Ed Ruscha

A work made of dye imbibition print, no. 2 from the portfolio "katsura" (1996).

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right, 1980

Yasuhiro Ishimoto

A work made of cotton and silk, warp-faced plain weave; embroidered with gilt-metal-strip-wrapped cotton in laidwork and couching.

Ceremonial Skirt (tapis), 20th century

Abung

Mary Jean Mitchell Green, November 1976

Andy Warhol

Greece, 1975

Charles Pratt

Untitled, n.d.

Lynette Molnar

A work made of silver dye-bleach print, from the portfolio "recto/verso" (1989).

Recto/Verso #4, 1988

Robert Heinecken

Chapel Pond, Adirondacks, New York, 1965

Eliot Porter

A work made of silk, warp and weft resist-dyed (kasuri), plain weave.

Kimono (Kosode), Taishô period (1912–1926)/ Shôwa period (1926–1989), c. 1925

A work made of silk, plain weave with creped weft (chirimen); resist dyed (yuzen-zome); stamped gold and silver leaf over adhesive (inkin); embroidered with silk, rayon and gold-leaf-over-adhesive-on-paper-strip-wrapped rayon, rayon padded satin stitches;
lined with silk, plain weave.

Untitled, 1967

Panorama, 1983–86, 1983/86

Man's Kain Kaligrafi (Head Scarf), 20th century

Nesting #3, 2000

Nesting #3, 2000

Ceremonial Cloth (geringsing wayang kebo), 20th century

Dead Yellow Warbler, 1978

Passengers on the "Barbara Lee", 1970

Child's Kosode, 1901/25, Taishô period (1912–1926)

Tennessee, 1979

Makeup Department, 1975

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right, 1980

Ceremonial Skirt (tapis), 20th century

Mary Jean Mitchell Green, November 1976

Greece, 1975

Untitled, n.d.

Recto/Verso #4, 1988

Chapel Pond, Adirondacks, New York, 1965

Kimono (Kosode), Taishô period (1912–1926)/ Shôwa period (1926–1989), c. 1925

Furisode, Taisho period (1912–26), c. 1920

Untitled, 1967

Panorama, 1983–86, 1983/86

Man's Kain Kaligrafi (Head Scarf), 20th century

Nesting #3, 2000

Nesting #3, 2000

Ceremonial Cloth (geringsing wayang kebo), 20th century

Dead Yellow Warbler, 1978

Passengers on the "Barbara Lee", 1970

Child's Kosode, 1901/25, Taishô period (1912–1926)

Tennessee, 1979

Makeup Department, 1975

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right, 1980

Ceremonial Skirt (tapis), 20th century

Mary Jean Mitchell Green, November 1976

Greece, 1975

Untitled, n.d.

Recto/Verso #4, 1988

Chapel Pond, Adirondacks, New York, 1965

Kimono (Kosode), Taishô period (1912–1926)/ Shôwa period (1926–1989), c. 1925

Furisode, Taisho period (1912–26), c. 1920