Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of photogravure made from an original drawing, in black on ivory wove paper.

I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9, 1890

Odilon Redon

A work made of woodcut in black on cream wove paper.

The Other's Health, plate nine from Intimacies, 1898

Félix Edouard Vallotton

A work made of etching from a copper plate, in black ink, on cream wove paper.

The Bad Doctors, 1895

James Ensor

A work made of etching on copper in black on ivory wove paper.

Three Standing Nudes, With Sketches of Faces, plate nine from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of woodcut on cream wove paper.

Baltic Steamer (Ostsee Dampfer), 1918

Lyonel Feininger

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

A work made of etching and drypoint on cream japanese paper.

House at Witebsk, plate eleven from Mein Leben, 1922, published 1923

Marc Chagall

Loose, sketchy drawing in black. At left, a tall figure with hands raised as if to dive, outlined against a scribble of black, faces a group of nondescript figures partly in shadow.

Untitled, 1960

James McGarrell

A work made of etching on copper in black on ivory laid paper.

Head of a Man with a Pipe, 1912

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Lithograph Seller, c. 1819

Nicolas Toussaint Charlet

A work made of etching and drypoint printed in brown on cream wove paper.

Town at the World's End, 1919

Lyonel Feininger

Engraving of a old man with a long beard, wearing only a cloth draped around one shoulder, bending over a table with books, a quill pen and ink, a skull, and glasses. The man looks at a small crucifix with a figure of Jesus.

Saint Jerome, 1693

Antoine Masson

A pencil drawing of a butterfly on the lower left of a sheet of paper. The artist’s insignia stamp is in the lower right in blue ink.

Butterfly, c. 1890

James McNeill Whistler

Engraving of an old man seated on the floor of a modest room, nude but for a cloth draped around his shoulder and hip, hand on his heart. He looks at an open book and a small crucifix and a skull symbolizing his mortality is set into the wall behind him.

St. Jerome Praying, 1665

Claude Mellan

A work made of screenprint in red ink on tan envelope.

Da Hairy Who Foyer - For Ya Prince, 1967–68

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of lithograph on cream wove paper.

Don Quixote, 1952

David Smith

A work made of sugar-lift, with aquatint and spit-bite etching, on copper in black on ivory laid paper.

Portrait of Vollard II, from the Vollard Suite, March 4, 1937, printed and published 1939

Pablo Picasso

A work made of color offset lithograph on paper.

Canto X, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of etching on white wove paper.

Crouching Woman, 1908

Emil Nolde

<<<41424344 >>>