Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Gene and Nancy Bavinger House, Upper Level Plan Including Studio, Norman, Oklahoma, Design Drawing

Gene and Nancy Bavinger House, Upper Level Plan Including Studio, Norman, Oklahoma, Design Drawing, 1950–1951

Bruce Goff

A work made of zincograph in black on dark yellow wove paper.

The Accident, 1893

Félix Edouard Vallotton

A work made of etching and engraving on ivory laid paper.

L'Heureux Moment (The Happy Moment), 1777

Nicolas Delaunay

A work made of woodcut in black on cream wove paper.

Swiss Peasant, 1917

Ernst Ludwig Kirchner

A work made of soft ground etching and aquatint on cream laid paper.

Doorway to Illusion, 1919

Arthur B. Davies

A work made of etching and aquatint on paper.

Psyche Wandering, plate 28 from Cupid and Psyche, 1880

Max Klinger

A work made of etching and aquatint in black on cream japanese laid paper.

The Absinthe Drinker, 1867–68 or 1874

Édouard Manet

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of book with fifteen lithographs on cream wove paper (discolored to buff).

Missal of the Three: Collection of Verse and Drawings (Trebnik troikh: Sbornik stikhov i risunkov), 1913

David Davidovich Burliuk

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of linocut with monotype inking in black and blue on cream wove paper.

Untitled, 1976

Georg Baselitz

Print in black ink of five nude people in an outdoor rural setting. An older woman with a wrinkled face and sagging breasts faces the viewer at center, her gaze cast downward. She is flanked by two younger couples: one on the left in a seated embrace and another on the right in a standing embrace. A cupid at bottom left looks on.

Allegory of Envy, c. 1505

Cristofano Robetta

A work made of graphite on ivory wove paper.

Study for Drawing Room, St. James, from Microcosm of London, c. 1809

Augustus Charles Pugin

A work made of engraving on paper.

Jeremiah, 1547

Nicolas Beatrizet

A work made of color screenprint on ivory wove paper.

Organic Variant, 1956

Dean Jackson Meeker

A work made of white gouache on gelatin silver prints, cut torn and tipped together.

20 Years of Solitude, 1993

Anselm Kiefer

A work made of linocut and letterpress in red and black on tan wove paper.

Victory!, 1945

Ángel Bracho

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