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A work made of lithograph on ivory laid paper.

Blind Homer, Chanting, plate 49 from Drawings for The Iliad, 1962

Meriden Gravure Company

A large, red-orange letter O decorated with gold leaf and blue, orange, and green vine-like flourishes contains within it a balding man with a gray beard in a black robe. He holds out a book in each hand. To his left are a group of kneeling men in black robes. Men in white robes kneel at his right.

Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, 1394/95

Martino di Bartolomeo di Biagio

Cutting from a manuscript of the letter G in pink on a green-brown background, with curling leafs in red, blue, and green.

Decorated Initial "G" in Pink with Curling Leaves from a Manuscript, 14th century or modern, c. 1920

A work made of etching on paper.

Saint Catherine of Alexandria, 1620/21

Peter Paul Rubens

A work made of etching with drypoint in black on ivory laid paper.

The Fall of the Giants, 1663

Salvator Rosa

A work made of lithograph in black on ivory wove paper.

Les-Parents-Terribles series: Yes, but you will see the captain..., 1853

Paul Gavarni

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of lithograph in black on yellow wove paper hinged on four sides to a cream board.

Napoleon in Egypt, 1835

Denis Auguste Marie Raffet

A work made of lithograph in black on ivory wove paper.

Masks and faces: Women afraid of a glass of wine..., 1857–58

Paul Gavarni

A work made of stencil on paper; edition 13/50.

Soga Goro Drawing a Sword, 1970

Mori Yoshitoshi

A work made of charcoal and pastel over incising on off-white wove paper.

New York Sound Drawing 2, 1977

Edda Renouf

A work made of color monotype and transfer drawing on ivory japanese paper.

Composition in Green and Brown, c. 1945

Harry Bertoia

A work made of mezzotint with engraving in black ink on ivory wove paper.

A Fruit Market, from The Houghton Gallery, 1775

Richard Earlom

A work made of watercolor over graphite on paper.

Land Title and Trust Building with Addition, Philadelphia, Pennsylvania, Perspective Rendering, 1900 (drawing executed) 1897 (main building) 1904 (addition)

D.H. Burnham & Co.

A work made of color offset lithograph on paper.

Canto XXXI, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of wood engraving in black on gray china paper, laid down on ivory wove paper (chine collé).

Sheaf-Binder, 1853, after drawing made in 1852

Jacques Adrien Lavieille

A work made of wood engraving on grayish-ivory china paper.

Rattlesnake, plate 1 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph on white wove paper.

Warrior, 1958

Jean Dubuffet

A work made of engraving in black ink on ivory laid paper.

The Happy Accident of the Swing, 1792

Nicolas Delaunay

A work made of photogenic drawing.

Two Scraps of Lace, c. 1838/42

William Henry Fox Talbot

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