Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work.

Rue du Gros Horloge, n.d.

Richard Parkes Bonington

A work made of linocut in black on cream wove paper.

Posada in His Workshop (Homage to Posada), 1953

Leopoldo Méndez

A work made of lithograph on ivory laid paper.

Hermes, plate 48 from Drawings for The Iliad, 1962

Meriden Gravure Company

A work made of woodcut on cream wove paper.

Italian Man, 1906

Emil Nolde

A work made of graphite, ink, and zip-a-tone on mylar.

Affiliated Hospitals Center, Boston Massachusetts, Typical Nursing Unit Scheme 1, Floor Plan and Working Drawing, 1966

Bertrand Goldberg

A work made of etching in black on white wove paper.

Mox, c. 1964

Ronald Markman

A work made of woodcut on ivory paper.

Hercules Slaying Envy, 1633/34

Christoffel Jegher

A work made of lithograph in black on white laid paper.

Mark, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of watercolor drawing on cream wove paper.

Girl on Stool, 1941

Georg Redlich

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: This one paints..., 1852

Paul Gavarni

A work made of engraving printed in black on paper.

The Creation of Eve, 1540/45

Giulio Bonasone

A work made of pen and black ink, over graphite, on ivory wove paper.

Drawing Series II (1A & 1B), 1969

Sol LeWitt

A work made of etching on white wove paper.

Train and Bathers, 1920

Edward Hopper

A work made of color transfer lithograph from three stones on grayish-ivory china paper.

Silence, 1894/97

Henri Martin

A work made of lithograph in black on white laid paper.

Prize, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of etching on ivory laid paper.

Souvenir of Tuscany, c. 1845

Jean Baptiste Camille Corot

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: You will conjugate for me 25 times, 1853

Paul Gavarni

A work made of etching on ivory japanese tissue.

The Double Bass Player, c. 1873

Alphonse Legros

A work made of charcoal, with black crayon, on ivory laid paper.

Frightened Woman, n.d.

Honoré-Victorin Daumier

A work made of wood engraving in black on gray china paper, laid down on ivory wove paper (chine collé).

Reaper, 1853, after drawing made in 1852

Jacques Adrien Lavieille

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